As much as it hurts me, they were a gateway drug to today's garbage.
bobinator said:
There's still plenty of good new country music. "Country music sucks now" has been a bad take going on like forty years now.
bobinator said:
There's still plenty of good new country music. "Country music sucks now" has been a bad take going on like forty years now.
Article 58-10 Offender said:
I've been saying this about Alabama for awhile as well.
AgLaw said:Article 58-10 Offender said:
I've been saying this about Alabama for awhile as well.
I was a head banging teen in the 80s. I thought all country music sucked. Then I heard Alabama.
That makes sense. Country Music is very traditional and caters to a conservative type of taste, that longs for "the old days". Obviously anything that changes from what you grew up with is an affront to what you consider to be "true" country music.The Milkman said:
Something I noticed when we were at the Country Music HOF in Nashville was a quote talking about George Strait, saying how they thought he was much too pop for most country music fans tastes when he first came on the scene.
Just goes to show that each generation thinks the new one is too pop
Quote:
What is this "real country music"? Can anyone define what it sounds like?
I'm sure many of you remember in the '90s, older country artists talked a lot of trash about what was being played on the radio. Waylon Jennings may never have really used that extremely vulgar simile to describe Garth Brooks' music but he did say very critical things about Garth Brooks. Now, you go listen to the trash Luke Bryan puts out and tell me that doesn't make Garth Brooks sound like Buck Owens.
Well, that's not what a lot of fans of "real country" thought in the '90s when Garth Brooks "ruined country radio." Or, in the '80s, when Urban Cowboy "ruined country radio." Or, in the '70s when Olivia Newton-John won a CMA award for Most Promising Female Vocalist of the Year and a bunch of traditional country acts, like Porter Wagoner and Conway Twitty, all got together at George Jones' and Tammy Wynette's house to form the Association of Country Entertainers to protest smooth pop "ruining country radio." But, in the '60s, the Nashville Sound had already "ruined country radio." And that started in the '50s because Elvis Presley "ruined country radio." When drums started showing up on more country records in the '40s, well, it flat out "ruined country radio." And that only happened because in the 1930s people like Bob Wills couldn't settle the hell down and play some nice, pure country music, like Jimmie Rodgers or The Carter Family.
I'm not sure there's ever been a time that country radio wasn't hated by the fans of the previous generations' country music. Ask a fan from any point in history to define the sound of country music and they're likely to say something along the lines of, "Well, it's sure not what they're playing on the radio these days!"
The Milkman said:
Something I noticed when we were at the Country Music HOF in Nashville was a quote talking about George Strait, saying how they thought he was much too pop for most country music fans tastes when he first came on the scene.
Just goes to show that each generation thinks the new one is too pop