I know I can't be the first...
rambo_99 said:
Is this spoiler thread? Just finished and would love to discuss.
GreasenUSA said:
I wasn't expecting much after seeing the first few replies in this thread, but I have to say I enjoyed the movie tremendously.
Brian Earl Spilner said:
I had a feeling this exact post in this exact thread would be what brought you back.
TCTTS said:
This is the *actual* plot of The Little Things...
A Los Angeles detective (Washington) accidentally kills the lone, surviving woman at a multi-victim murder scene.
Five years later, said disgraced detective ends up helping the new hotshot LADP detective (Malik) on a case that may or may not be connected to the killings mentions above, and may or may not be connected to a series of murders in Northern California, where the veteran/disgraced detective now lives? This entire plot line was so forgettable and under-baked that I honestly have no idea if that's even right or not.
Either way, their primary suspect, who may or may not connect these murders together, ends up being nothing more than a super-creepy crime buff who almost assuredly has never killed anyone in his life, i.e. his entire plot line is a complete red herring, in the most frustrating, ridiculous fashion.
Then, in the coincidence of all coincidences, the hotshot detective ALSO ends up accidentally killing someone at a crime scene - the lone, super-creepy suspect, who almost assuredly didn't commit the murders. So the veteran detective who accidentally killed someone at a crime scene five years prior helps the hotshot detective cover up HIS accidental kill at a crime scene, same as the veteran detective's colleagues helped him five years ago.
The lesson learned, or the "theme" of the movie - if you can call it that - essentially boils down to, "If you're a detective, and you accidentally kill someone at a crime scene, never speak of it or that person again," i.e. "No Angels."
... at least as far as I can tell, because, holy crap, that was some horribly-executed story telling.
But that's essentially it. That's the movie.
None of this is to say how terrible the editing and pacing was, how bland and cliched the dialogue was, or how the entire thing was inexplicably set in 1990 for no other reason than two scenes involving a public payphone.
I'm sorry, but I feel 100% justified getting "worked up" over this movie. It was absolutely as bad as, if not worse than, the worst crime thrillers I've ever seen. In fact, I don't think I've ever been as baffled as to how so many Oscar-winning actors could commit to such a crappy, generic script.
And this is coming from someone who was absolutely looking forward to this movie.