quote:

---

It would appear your office blocks imgur. Mine blocks anything from tumblr.

---

quote:

---

However difficult this may be to watch, Jesse’s ongoing abasement served a narrative purpose. Jesse evolved from bratty burnout to, for a time, the show’s most complex and interesting character—a “bad” kid who increasingly, desperately wanted to be good, without knowing that in the pitiless Breaking Bad universe, no good deed goes unpunished. (Admittedly, most bad deeds don’t go unpunished on Breaking Bad, either. It’s a punitive show.) You could judge the progress of Walter’s moral corrosion at any given moment by measuring how hollowed out Jesse was, how pulped and zombiefied. Jesse suffered for Walter’s sins, so the viewer could only hope that Walter’s sins would finally catch up with him.

But as of last week’s episode, the third-to-last in the entire series, I’m hoping that The Passion of the Jesse has completed its stations of the cross, and that no Christlike martyrdom is in store for a character who tried so hard to redeem himself. “Ozymandias” was an astonishing piece of television, and it feels churlish to quibble with it. And I’d never suggest that Gilligan and his amazing writing staff have somehow lost track of how many subdural hematomas and PTSD triggers they’ve bestowed on Jesse—this is a character so relentlessly (and self-consciously) dehumanized that they recently honored him with the eponymous episode title “Rabid Dog.” That said, burying Jesse under this gruesome stack of physical and psychological torments—Walter’s taunts about Jane’s death, disfiguring torture, and a possible eternity as a meth-lab slave—is starting to feel less like Vince Gilligan and more like Mel Gibson doing a drug-addiction PSA for the producers of Saw. The phrase “torture porn” got thrown about too much among film critics of the mid-2000s, but Jesse’s terrified screams in the white-supremacist chamber of horrors and the clank-and-rattle of his halting steps in the lab are the soundtrack of a pornography of suffering. Walter’s crutch is to abuse Jesse whenever he needs a mini-exorcism; increasingly, his crutch has become the show’s. The plot is such a perfect machine, exquisitely calibrated and fast as light—so why does Jesse have to be ground up in its engine blades?

---