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Milli Vanilli

15,161 Views | 157 Replies | Last: 2 yr ago by Stat Monitor Repairman
double aught
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AG
aTmAg said:

62strat said:

aTmAg said:

62strat said:

aTmAg said:

62strat said:

aTmAg said:

To me, this is an example of how the Grammys are a joke. If it were just about the music, then they would have given Milli Vinilli's award to the ex-convicts who actually recorded the music. I would have respected that. But since Grammy's are really nothing more than a popularity contest designed to get people to watch an award show, they have to give it to people who bring viewers. The last thing they can do is give it to unknowns (even if they have real talent). So to pretend it's a real award, they have to claim it's about the "overall presentation/experience" and whatnot.
they give best songwriter Grammys all the time to writers who the public have no idea is.
My heart will go on, change the world, royals, from a distance... all given to the writer(s) of the song, not the famous person who sang it.

THen you have all the best country and pop songs, often the winner is an unknown writer.

I don't watch the Grammys, but I can only guess the 'singer' doesn't go up to accept, unless they were actually on the writing team right?
They don't only give awards to the song writer. Song of the Year goes to song writer, Record of the Year goes to performing artist, producer, etc. There is also best male pop performance, best new artist (which is what Milli Vinilli won), etc.
I know, but you're saying if it were about he music they'd give it to the songwriters. I'm telling you, for song of the year, they do.
I understand what you are saying. However, Milli Vinilli won best new artist though. So what I'm saying that if that award was about the music rather than some vague "general performance" criteria, then they would have granted it to the actual musicians. To me, a problem with pop today is that it's 90% hype and 10% talent. Sure you have the occasional Adelle who get there on talent alone, but that seems too rare nowadays.
They won best new artist, because those two guys were the 'artists'. The songwriter behind the scenes is not the artist. I mean, looking up a best new artist - Meghan Trainor. Every song on her album was written by her and the producer, kevin kadish. Did he get a share in that grammy? No, because he's not the artist. Leann Rhimes won best new artist, and her first album didn't have one song written by her.. but only she won the grammy.

You're not making any sense.

There is only ONE grammy that goes solely to the song writers, it's song of the year. Record of the year goes to artist and production team, album of year goes to artist and production team, and best new artist is solely for the artist, aka the singer/band.

If milli vanilli won song of the year, you'd have an argument here, but they didn't. If that song won song of the year, then those dudes would have received a grammy. But it didn't win song of the year.
Which further supports my point that the Grammys (really music industry as a whole) is a joke. Get somebody smoking hot who can perhaps sing okay, have them "record" an album with the help of auto-tune and a crap load of sound engineers to make it sound decent, teach them to dance and dress provocatively and take it to the road. Have them perform to pre-recorded versions of their songs and shallow fans will eat that up. If they hit it big enough, they likely win a Grammy.

Take most Grammy winners (not all) and change 1 thing: Make them butt ugly... and they would not be Grammy winners, because barely anybody would know their name.
So attractive people catch more breaks.

Your argument seems to be more with they way of the world than the music industry specifically.
aTmAg
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AG
double aught said:

aTmAg said:

62strat said:

aTmAg said:

62strat said:

aTmAg said:

62strat said:

aTmAg said:

To me, this is an example of how the Grammys are a joke. If it were just about the music, then they would have given Milli Vinilli's award to the ex-convicts who actually recorded the music. I would have respected that. But since Grammy's are really nothing more than a popularity contest designed to get people to watch an award show, they have to give it to people who bring viewers. The last thing they can do is give it to unknowns (even if they have real talent). So to pretend it's a real award, they have to claim it's about the "overall presentation/experience" and whatnot.
they give best songwriter Grammys all the time to writers who the public have no idea is.
My heart will go on, change the world, royals, from a distance... all given to the writer(s) of the song, not the famous person who sang it.

THen you have all the best country and pop songs, often the winner is an unknown writer.

I don't watch the Grammys, but I can only guess the 'singer' doesn't go up to accept, unless they were actually on the writing team right?
They don't only give awards to the song writer. Song of the Year goes to song writer, Record of the Year goes to performing artist, producer, etc. There is also best male pop performance, best new artist (which is what Milli Vinilli won), etc.
I know, but you're saying if it were about he music they'd give it to the songwriters. I'm telling you, for song of the year, they do.
I understand what you are saying. However, Milli Vinilli won best new artist though. So what I'm saying that if that award was about the music rather than some vague "general performance" criteria, then they would have granted it to the actual musicians. To me, a problem with pop today is that it's 90% hype and 10% talent. Sure you have the occasional Adelle who get there on talent alone, but that seems too rare nowadays.
They won best new artist, because those two guys were the 'artists'. The songwriter behind the scenes is not the artist. I mean, looking up a best new artist - Meghan Trainor. Every song on her album was written by her and the producer, kevin kadish. Did he get a share in that grammy? No, because he's not the artist. Leann Rhimes won best new artist, and her first album didn't have one song written by her.. but only she won the grammy.

You're not making any sense.

There is only ONE grammy that goes solely to the song writers, it's song of the year. Record of the year goes to artist and production team, album of year goes to artist and production team, and best new artist is solely for the artist, aka the singer/band.

If milli vanilli won song of the year, you'd have an argument here, but they didn't. If that song won song of the year, then those dudes would have received a grammy. But it didn't win song of the year.
Which further supports my point that the Grammys (really music industry as a whole) is a joke. Get somebody smoking hot who can perhaps sing okay, have them "record" an album with the help of auto-tune and a crap load of sound engineers to make it sound decent, teach them to dance and dress provocatively and take it to the road. Have them perform to pre-recorded versions of their songs and shallow fans will eat that up. If they hit it big enough, they likely win a Grammy.

Take most Grammy winners (not all) and change 1 thing: Make them butt ugly... and they would not be Grammy winners, because barely anybody would know their name.
So attractive people catch more breaks.

Your argument seems to be more with they way of the world than the music industry specifically.
Take this trend in the rest of "the world" multiply it by 1000, and you got pop music. That's the issue.

Meanwhile, I have no complaints about Hollywood, modeling, etc. doing the same thing since those jobs are visual in nature. I find it funny how musicians say crap like, "music moves mountains!!!" before putting on their ***** uniforms to perform.
Philo B 93
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It sounds like MTV is part of the problem. It turned music into a visual experience in the 80s and some of the 90s. At some point, MTV did a way with music (music videos) altogether.

The modern day answer is YouTube, a place where we celebrate unsightly people singing incredible songs. Millions of artists whose videos are each seen by dozens of people.
$3 Sack of Groceries
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Brian Earl Spilner said:

First CD's:

Backstreet Boys - Backstreet Boys
Limp Bizkit - Significant Other
Smash Mouth - Astro Lounge
Blink 182 - Enema of the State
Bloodhound Gang - Hooray for Boobies
Takes a man to own up to that absolute abortion of a line-up!! Well done, sir. Well done.
Brian Earl Spilner
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AG
I regret nothing.
PooDoo
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Brian Earl Spilner said:

First CD's:

Backstreet Boys - Backstreet Boys
Limp Bizkit - Significant Other
Smash Mouth - Astro Lounge
Blink 182 - Enema of the State
Bloodhound Gang - Hooray for Boobies

Ok, I have to know what your 1st DVD was... Mystery Men?
Brian Earl Spilner
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AG
Titanic on VHS is the first one I remember getting really excited to buy on my own.
Texaggie7nine
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7nine
Belton Ag
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Brian Earl Spilner said:

First CD's:

Backstreet Boys - Backstreet Boys
Limp Bizkit - Significant Other
Smash Mouth - Astro Lounge
Blink 182 - Enema of the State
Bloodhound Gang - Hooray for Boobies
Brian Earl Spilner
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If you were born in 88, you listened to or owned every one of those albums. (If you were cool.)
PooDoo
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The first album that I bought/asked parents to buy:
Counterpoint
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PooDoo said:

The first album that I bought/asked parents to buy:

Are you sure it wasn't...
Zombie Jon Snow
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PooDoo said:

The first album that I bought/asked parents to buy:


that's a single NOT an album. the album was this:

Zombie Jon Snow
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AG

So my sister was older and she owned some records before I bought any - I remember some K-Tel records with multiple "hits (like today's Now That's What I Call Music collection) and she had the Saturday Night Fever Soundtrack. Maybe some others not much as we didn't listen on our parents stereo much.

Christmas 1979 at the age of 13 I got a stereo system - turntable, double cassette deck, radio and 2 speakers.

My first purchase was very well planned out - I thought so anyway. I wasn't into any one genre and wanted a selection of different styles but from stuff I had heard recently and wanted more of. These were all 1979 releases. I bought:









I can remember listening to those for hours - the entire album.


Interesting (to me) those early impressions are very long lasting I think - those are still 4 bands/artists that I am very into - Police are my favorite band. Love Petty and EW&F still. Never though Pink Floyd did anything as good after that but I still followed them.

It was not until much much later that I went back and started collecting older music of those artists and many many others. For the time being I only was into new music.

In 1980 I recall the next few I bought too. Money was very scarce but I was mowing lawns a lot to make cash and was very choosy about the music I bought:

The Eagles - The Long Run
AC/DC - Back in Black
Rush - Permanent Waves
Police - Zenyatta Mondatta
Queen - The Game
chimpanzee
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I don't know the answer, but a version of the same question from the OP is, why did girls in the Ed Sullivan audience cry when they saw the Beatles?

I can't get my head around being that deliriously emotional about anything.

The cynicism in the business model of pop music is a pretty well beaten horse carcass. The public at large doesn't care, give them something catchy and pretty to look at, they'll buy it.
Zombie Jon Snow
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BigJim49 AustinNowDallas
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Milli -------- NY Times crossword yesterday !
Stat Monitor Repairman
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Give Milli Vanilli back their grammy.
 
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