And yet it literally was.
Oscar nominations
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Last: 1 yr ago by Jim01
14 year old Oscar smack talk. Keep on Texagging, TexAgs
InternetFan02 said:
Full list
https://editorial.rottentomatoes.com/article/oscar-nominations-2024-complete-list-of-the-nominees/
BEST PICTURE
American Fiction
Anatomy of a Fall
Barbie
The Holdovers
Killers of the Flower Moon
Maestro
OPPENHEIMER
Past Lives
Poor Things
Zone of Interest
BEST ACTRESS IN A LEADING ROLE
Annette Bening, Nyad
LILY GLADSTONE, Killers of the Flower Moon
Sandra Hller, Anatomy of a Fall
Carey Mulligan, Maestro
Emma Stone, Poor Things
BEST ACTOR IN A LEADING ROLE
Bradley Cooper, Maestro
Colman Domingo, Rustin
Paul Giamatti, The Holdovers
CILLIAN MURPHY, Oppenheimer
Jeffrey Wright, American Fiction
BEST ACTRESS IN A SUPPORTING ROLE
Emily Blunt, Oppenheimer
Danielle Brooks, The Color Purple
America Ferrera, Barbie
Jodie Foster, Nyad
DA'VINE JOY RANDOLPH, The Holdovers
BEST ACTOR IN A SUPPORTING ROLE
Sterling K. Brown (American Fiction)
Robert De Niro (Killers of the Flower Moon)
ROBERT DOWNEY JR. (Oppenheimer)
Ryan Gosling (Barbie)
Mark Ruffalo (Poor Things)
BEST DIRECTOR
Justine Triet, Anatomy of a Fall
Martin Scorsese, Killers of the Flower Moon
CHRISTOPHER NOLAN, Oppenheimer
Yorgos Lanthimos, Poor Things
Jonathan Glazer, The Zone of Interest
BEST ANIMATED FEATURE FILM
The Boy and the Heron
Elemental
Nimona
Robot Dreams
Spider-Man: Across the Spider-Verse
BEST INTERNATIONAL FEATURE FILM
The Teachers' Lounge, Germany
Io Capitano, Italy
Perfect Days, Japan
Society of the Snow, Spain
The Zone of Interest, United Kingdom
BEST ORIGINAL SCREENPLAY
Anatomy of a Fall
The Holdovers
Maestro
May December
Past Lives
BEST ADAPTED SCREENPLAY
American Fiction
Barbie
Oppenheimer
Poor Things
The Zone of Interest
BEST ORIGINAL SCORE
American Fiction
Indiana Jones and the Dial of Destiny
Killers of the Flower Moon
Oppenheimer
Poor Things
BEST ORIGINAL SONG
"The Fire Inside" from Flamin' Hot
"I'm Just Ken" from Barbie
"It Never Went Away" from American Symphony
"Wahzhazhe (A Song for My People)," Killers of the Flower Moon
"What Was I Made For?" from Barbie
BEST FILM EDITING
Anatomy of a Fall
The Holdovers
Killers of the Flower Moon
Oppenheimer
Poor Things
BEST CINEMATOGRAPHY
El Conde
Killers of the Flower Moon
Maestro
Oppenheimer
Poor Things
BEST VISUAL EFFECTS
The Creator
Godzilla Minus One
Guardians of the Galaxy Vol. 3
Mission: Impossible Dead Reckoning Part One
Napoleon
BEST SOUND
The Creator
Maestro
Mission: Impossible Dead Reckoning Part One
Oppenheimer
The Zone of Interest
BEST PRODUCTION DESIGN
Barbie
Killers of the Flower Moon
Napoleon
Oppenheimer
Poor Things
BEST COSTUME DESIGN
Barbie
Killers of the Flower Moon
Napoleon
Oppenheimer
Poor Things
BEST MAKEUP AND HAIRSTYLING
Golda
Maestro
Oppenheimer
Poor Things
Society of the Snow
BEST DOCUMENTARY FEATURE FILM
Bobi Wine: The People's President
The Eternal Memory
Four Daughters
To Kill a Tiger
20 Days in Mariupol
BEST ANIMATED SHORT
Letter to a Pig
Ninety-Five Senses
Our Uniform
Pachyderme
War Is Over! Inspired by the Music of John & Yoko
BEST LIVE-ACTION SHORT FILM
The After
Invincible
Knight of Fortune
Red, White and Blue
The Wonderful Story of Henry Sugar
BEST DOCUMENTARY SHORT
The ABCs of Book Banning
The Barber of Little Rock
Island In Between
The Last Repair Shop
Ni Nai & Wi P
For anyone looking to catch up, "official" threads for each Best Picture nominee...
American Fiction
https://texags.com/forums/13/topics/3413157
Anatomy of a Fall
https://texags.com/forums/13/topics/3433357
Barbie
https://texags.com/forums/13/topics/3388170
The Holdovers
https://texags.com/forums/13/topics/3415631
Killers of the Flower Moon
https://texags.com/forums/13/topics/3378796
Maestro
https://texags.com/forums/13/topics/3428133
Oppenheimer
https://texags.com/forums/13/topics/3388167
Past Lives
https://texags.com/forums/13/topics/3383575
Poor Things
https://texags.com/forums/13/topics/3432014
The Zone of Interest
No thread yet
American Fiction
https://texags.com/forums/13/topics/3413157
Anatomy of a Fall
https://texags.com/forums/13/topics/3433357
Barbie
https://texags.com/forums/13/topics/3388170
The Holdovers
https://texags.com/forums/13/topics/3415631
Killers of the Flower Moon
https://texags.com/forums/13/topics/3378796
Maestro
https://texags.com/forums/13/topics/3428133
Oppenheimer
https://texags.com/forums/13/topics/3388167
Past Lives
https://texags.com/forums/13/topics/3383575
Poor Things
https://texags.com/forums/13/topics/3432014
The Zone of Interest
No thread yet
TCTTS said:
For anyone looking to catch up, "official" threads for each Best Picture nominee...
The Zone of Interest
No thread yet
I guess the zone is pretty limited then
Ha, I definitely want to see it, I just can't bring myself to watch such depressing subject matter in the theater. I'm waiting until it goes to digital, and if there still isn't a thread by then I'll start one.
This is insane. Hillary Clinton now weighing in? Gerwig and Robbie were still nominated! They produced the movie! Best Picture nominations/wins are credited/awarded to each producer!
Mom, can you come pick me up? People are still being weird about the movie awards. https://t.co/MTaBJU4ZD2
— Johnny Sobczak (@JohnnySobczak) January 24, 2024
Lily Gladstone and Da’Vine Joy Randolph are going to win their categories but yeah it’s a big blow for feminism that the pretty blonde lady didn’t get nominated for the mega blockbuster. Sure.
— Bad Take Central (@badtakecentral) January 23, 2024
What if I told you Barbie was a great and fun movie but didn’t deserve to be nominated for anything outside of costumes and production design
— MovieBoy (@movieboy69) January 24, 2024
somebody please urgently explain to me what's so special about barbie that emma stone, lily gladstone and sandra hüller have to eat shit because it didnt get one or 2 nominatios?? like this has to be some elaborate prank bc there's no way https://t.co/QU8C0SvnDk
— envy adams (@diandrasdiandra) January 24, 2024
this shit was 9/11 for affluent liberal white women whose main takeaway from the Barbie movie was “women should win everything always” pic.twitter.com/qv4hmnHxL2
— shoe (@shoe0nhead) January 24, 2024
Denis Villeneuve didn’t get a Directing nomination for Dune.
— Nick Zednik @ Virtual Sundance (@NickZednik) January 24, 2024
Joseph Kosinski missed for Top Gun: Maverick.
James Cameron missed for Avatar: The Way of Water.
These are populist films. #Oscars are a different ball game when it comes to Blockbusters.
I'm not the expert and as cultured on these things as some, but I wonder if folks truly appreciate the genius and accomplishments of John Williams. 54 nominations and counting. Responsible for (arguably) the most recognizable and impactful music of the late 20th and early 21st century for Americans. And perhaps our greatest American Composer.
Has anyone been as dominant in their field for as long as he has in the entertainment industry?
Has anyone been as dominant in their field for as long as he has in the entertainment industry?
There was some woman that was nominated/won most years for costumes. Edith Head? Why I know/remember that I have no idea!PWR85 said:
I'm not the expert and as cultured on these things as some, but I wonder if folks truly appreciate the genius and accomplishments of John Williams. 54 nominations and counting. Responsible for (arguably) the most recognizable and impactful music of the late 20th and early 21st century for Americans. And perhaps our greatest American Composer.
Has anyone been as dominant in their field for as long as he has in the entertainment industry?
ETA - yep that was her. Nominated 35 times, won 8
You're from down South,
And when you open your mouth,
You always seem to put your foot there.
And when you open your mouth,
You always seem to put your foot there.
A prime example of white male privilegePWR85 said:
I'm not the expert and as cultured on these things as some, but I wonder if folks truly appreciate the genius and accomplishments of John Williams. 54 nominations and counting. Responsible for (arguably) the most recognizable and impactful music of the late 20th and early 21st century for Americans. And perhaps our greatest American Composer.
Has anyone been as dominant in their field for as long as he has in the entertainment industry?
The last thing I want to do is hurt you. But, it's still on the list.
oragator said:
Female empowerment movies are in fact important in many ways (and this film will open doors for future films likely which is a good thing), but at some point the Paul Fieg style of empowering women by making men bad or weak turns off a segment of the population, and probably alienated some male academy voters who kept Gerwig and Robbie out. There wasn't a single good male figure in the movie, they were all bad or ineffectual.
They could make the final ten for best picture with the votes they had, but not the lower cutoffs in the individual categories.
The male films took decades to evolve to the point where women had meaningful and complex roles, that's the next step for films like this.
Jmo.
Greta: "Women don't need men because we're so much better!"
Male Academy voters: "Oh, really?"
Gets: *cries*
bagger05 said:
If Oppenheimer wins best picture, it will be the first top ten box office movie to do so in 21 years (Return of the King).
We've been on a really long run of top box office movies not winning. Used to be the norm that the winner was a big box office hit.
1989 - Driving Miss Daisy - #8
1990 - Dances with Wolves - #3
1991 - Silence of the Lambs - #4
1992 - Unforgiven - #11
1993 - Schindler's List - #9
1994 - Forrest Gump - #1
1995 - Braveheart - #18
1996 - The English Patient - #19
1997 - Titanic - #1
1998 - Shakespeare in Love - #18 (Saving Private Ryan was #1 -- still irritated)
1999 - American Beauty - #13
2000 - Gladiator - #4
2001 - A Beautiful Mind - #11
2002 - Chicago - #10
2003 - Return of the King - #1
Then we fall off a cliff. Since 2003 we've had a grand total of three top 20 box office movies win. Zero top 10 and about half outside of the top 50.
2004 - Million Dollar Baby - #24
2005 - Crash - #49
2006 - The Departed - #15
2007 - No Country for Old Men - #36
2008 - Slumdog Millionaire - #16
2009 - The Hurt Locker - #116
2010 - The King's Speech - #18
2011 - The Artist - #71
2012 - Argo - #22
2013 - 12 Years a Slave - #62
2014 - Birdman - #78
2015 - Spotlight - #62
2016 - Moonlight - #92
2017 - The Shape of Water - #46
2018 - Green Book - #36
2019 - Parasite - #54
2020 - Nomadland - #84 (Box Office Mojo shows it as a 2021 release)
2021 - CODA - ??? (not listed on Box Office Mojo -- $2.2MM gross which would've been around #100)
2022 - Everything Everywhere All at Once - #25
Wow, I can't believe that Hurt Locker and Braveheart were that far down the list. I would have thought Braveheart was a top 5 film
DG-Ag said:There was some woman that was nominated/won most years for costumes. Edith Head? Why I know/remember that I have no idea!PWR85 said:
I'm not the expert and as cultured on these things as some, but I wonder if folks truly appreciate the genius and accomplishments of John Williams. 54 nominations and counting. Responsible for (arguably) the most recognizable and impactful music of the late 20th and early 21st century for Americans. And perhaps our greatest American Composer.
Has anyone been as dominant in their field for as long as he has in the entertainment industry?
ETA - yep that was her. Nominated 35 times, won 8
And Disney has won something like 116 Oscars, with Walt himself having won like 32.
Braveheart made $67 million, possibly because it was 9 hours long. It finished 4 spots behind the snub for best picture that year - Mortal Kombat.ChipFTAC01 said:
Wow, I can't believe that Hurt Locker and Braveheart were that far down the list. I would have thought Braveheart was a top 5 film
That's crazy. I would have assumed that was a $250mm movie
Pre-Titantic was a pretty soft time for movies after Star Wars (OT) and Batman / Home Alone. The #1 movie of 95 was Batman Forever which made $184 million.
This whole thing is hilarious because in the case of Robbie,... you know whos going to win that award.....TCTTS said:Lily Gladstone and Da’Vine Joy Randolph are going to win their categories but yeah it’s a big blow for feminism that the pretty blonde lady didn’t get nominated for the mega blockbuster. Sure.
— Bad Take Central (@badtakecentral) January 23, 2024What if I told you Barbie was a great and fun movie but didn’t deserve to be nominated for anything outside of costumes and production design
— MovieBoy (@movieboy69) January 24, 2024somebody please urgently explain to me what's so special about barbie that emma stone, lily gladstone and sandra hüller have to eat shit because it didnt get one or 2 nominatios?? like this has to be some elaborate prank bc there's no way https://t.co/QU8C0SvnDk
— envy adams (@diandrasdiandra) January 24, 2024this shit was 9/11 for affluent liberal white women whose main takeaway from the Barbie movie was “women should win everything always” pic.twitter.com/qv4hmnHxL2
— shoe (@shoe0nhead) January 24, 2024Denis Villeneuve didn’t get a Directing nomination for Dune.
— Nick Zednik @ Virtual Sundance (@NickZednik) January 24, 2024
Joseph Kosinski missed for Top Gun: Maverick.
James Cameron missed for Avatar: The Way of Water.
These are populist films. #Oscars are a different ball game when it comes to Blockbusters.
a woman.
This is just a pity party trying to cover up for the fact that the movie and acting.... probably just werent that good.
Gladstone should win and Da'Vine Randolph better win. Am I doing feminism right?
Is this any different than the butt hurt from any other year about a snub?
Has the director or Robbie even said anything?
Has the director or Robbie even said anything?
Edith Head is incredible.
If barbie doesn't win for costumes, it's insane. I think not getting makeup and hairstyling is also a snub.
I think the whole gosling getting nominated is kinda funny but that's a specifically male award..so whatever. it's not some overall nod to how the patriarchy is winning.
zone of interest sounds incredibly interesting but I can't bring myself to want to watch something that sad.
i only Care about the Oscar's for the fashion. the CCA was depressing so hopefully this will be better.
If barbie doesn't win for costumes, it's insane. I think not getting makeup and hairstyling is also a snub.
I think the whole gosling getting nominated is kinda funny but that's a specifically male award..so whatever. it's not some overall nod to how the patriarchy is winning.
zone of interest sounds incredibly interesting but I can't bring myself to want to watch something that sad.
i only Care about the Oscar's for the fashion. the CCA was depressing so hopefully this will be better.
Biggest shock to me when I put together that list was Driving Miss Daisy at #8.
The Porkchop Express said:
Is this any different than the butt hurt from any other year about a snub?
Has the director or Robbie even said anything?
Nope, not a word. It's all performative outrage on their behalf.
I mean, that's the right call on their part. Let everyone else talk. If they spoke out, it would sound like whining.
Everyone else can outcry and they sound gracious and brave when they say something to the tune of
Everyone else can outcry and they sound gracious and brave when they say something to the tune of
Quote:
"I'm grateful to have worked on such an impactful project as the Barbie movie. The outpouring from our fans has been incredible and I am honored for their faith and energy. I am so proud of my counterparts who were nominated, but the places where we were left out just go to show you how far as a society we have left to go before we can truly say that we have achieved our goals as a society that empowers women!"
whenever anybody mentions someone being snubbed - they never say who they would dismiss off the list to make room for the snubbed person. Gerwig and Robbie might very well be deserving for director and acting, but who would be removed from those lists?
It would be so much better if they had to specifically call out which nominee they think they should replace.
Leave it to idiots on Twitter to complain and get outraged on other people's behalf whether they want it or not.
swimmerbabe11 said:
It would be so much better if they had to specifically call out which nominee they think they should replace.
Exactly. It's funny how people rarely have that answer. Performances don't exist in a vacuum.
I mean, I'm sure they are disappointed in those specific categories and it would be strange if they weren't. The only thing that makes this whole conversation ridiculous is if you try to put in the scope of it being the Patriarchy's fault. As though it was a conspiracy among men everywhere to keep the wimmenfolk down.
Granted, I think the hype overwhelmed the movie. I thought the production, scene, set design, costumes, etc were absolutely incredible..but the movie itself was self congratulating and an example of what is exhausting about being alive (not female, just alive) in the year 2024.
Granted, I think the hype overwhelmed the movie. I thought the production, scene, set design, costumes, etc were absolutely incredible..but the movie itself was self congratulating and an example of what is exhausting about being alive (not female, just alive) in the year 2024.
. The first 15 minutes were more like some psychedelic drug induced dream and completely unnecessary.Brian Earl Spilner said:
Can't disagree more. Nolan made a three hour, talky movie that feels like it flies by. Combination of great writing, editing, and of course directing.
Plus, he is long overdue.
Hollywood and the Academy have lost touch on what the audience wants. They have their woke agendas and keep rewarding those taking their marching orders. Meanwhile, most people aren't impressed. That's what that list says to me. Taylor Sheridan touched on this in his recent JRE podcast.ChipFTAC01 said:bagger05 said:
If Oppenheimer wins best picture, it will be the first top ten box office movie to do so in 21 years (Return of the King).
We've been on a really long run of top box office movies not winning. Used to be the norm that the winner was a big box office hit.
1989 - Driving Miss Daisy - #8
1990 - Dances with Wolves - #3
1991 - Silence of the Lambs - #4
1992 - Unforgiven - #11
1993 - Schindler's List - #9
1994 - Forrest Gump - #1
1995 - Braveheart - #18
1996 - The English Patient - #19
1997 - Titanic - #1
1998 - Shakespeare in Love - #18 (Saving Private Ryan was #1 -- still irritated)
1999 - American Beauty - #13
2000 - Gladiator - #4
2001 - A Beautiful Mind - #11
2002 - Chicago - #10
2003 - Return of the King - #1
Then we fall off a cliff. Since 2003 we've had a grand total of three top 20 box office movies win. Zero top 10 and about half outside of the top 50.
2004 - Million Dollar Baby - #24
2005 - Crash - #49
2006 - The Departed - #15
2007 - No Country for Old Men - #36
2008 - Slumdog Millionaire - #16
2009 - The Hurt Locker - #116
2010 - The King's Speech - #18
2011 - The Artist - #71
2012 - Argo - #22
2013 - 12 Years a Slave - #62
2014 - Birdman - #78
2015 - Spotlight - #62
2016 - Moonlight - #92
2017 - The Shape of Water - #46
2018 - Green Book - #36
2019 - Parasite - #54
2020 - Nomadland - #84 (Box Office Mojo shows it as a 2021 release)
2021 - CODA - ??? (not listed on Box Office Mojo -- $2.2MM gross which would've been around #100)
2022 - Everything Everywhere All at Once - #25
Wow, I can't believe that Hurt Locker and Braveheart were that far down the list. I would have thought Braveheart was a top 5 film
TCTTS
Joined:
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Posts:
62,454
How long do you want to ignore this user?
The cliff seems to be since 2014. From 06-13, I saw all of the best picture winners in the theater, and I doubt I go doubt I go to more than 5-8 movies a year. Since 2014, I've seen 1 of those movies, Moonlight, and that was on demand, and I didn't think it was anything special. Most of the other ones I couldn't tell you anything about other than Aragorn is in Green Book and some lady ****s a fish man in Shape of Water.aggierogue said:Hollywood and the Academy have lost touch on what the audience wants. They have their woke agendas and keep rewarding those taking their marching orders. Meanwhile, most people aren't impressed. That's what that list says to me. Taylor Sheridan touched on this in his recent JRE podcast.ChipFTAC01 said:bagger05 said:
Then we fall off a cliff. Since 2003 we've had a grand total of three top 20 box office movies win. Zero top 10 and about half outside of the top 50.
2004 - Million Dollar Baby - #24
2005 - Crash - #49
2006 - The Departed - #15
2007 - No Country for Old Men - #36
2008 - Slumdog Millionaire - #16
2009 - The Hurt Locker - #116
2010 - The King's Speech - #18
2011 - The Artist - #71
2012 - Argo - #22
2013 - 12 Years a Slave - #62
2014 - Birdman - #78
2015 - Spotlight - #62
2016 - Moonlight - #92
2017 - The Shape of Water - #46
2018 - Green Book - #36
2019 - Parasite - #54
2020 - Nomadland - #84 (Box Office Mojo shows it as a 2021 release)
2021 - CODA - ??? (not listed on Box Office Mojo -- $2.2MM gross which would've been around #100)
2022 - Everything Everywhere All at Once - #25
Wow, I can't believe that Hurt Locker and Braveheart were that far down the list. I would have thought Braveheart was a top 5 film
Well if anyone is an expert on not winning a contest they figured they were a shoo-in for, it's definitely Hilary.Cliff.Booth said:
Exactly. Take Barbie this year for example.The Porkchop Express said:The cliff seems to be since 2014. From 06-13, I saw all of the best picture winners in the theater, and I doubt I go doubt I go to more than 5-8 movies a year. Since 2014, I've seen 1 of those movies, Moonlight, and that was on demand, and I didn't think it was anything special. Most of the other ones I couldn't tell you anything about other than Aragorn is in Green Book and some lady ****s a fish man in Shape of Water.aggierogue said:Hollywood and the Academy have lost touch on what the audience wants. They have their woke agendas and keep rewarding those taking their marching orders. Meanwhile, most people aren't impressed. That's what that list says to me. Taylor Sheridan touched on this in his recent JRE podcast.ChipFTAC01 said:bagger05 said:
Then we fall off a cliff. Since 2003 we've had a grand total of three top 20 box office movies win. Zero top 10 and about half outside of the top 50.
2004 - Million Dollar Baby - #24
2005 - Crash - #49
2006 - The Departed - #15
2007 - No Country for Old Men - #36
2008 - Slumdog Millionaire - #16
2009 - The Hurt Locker - #116
2010 - The King's Speech - #18
2011 - The Artist - #71
2012 - Argo - #22
2013 - 12 Years a Slave - #62
2014 - Birdman - #78
2015 - Spotlight - #62
2016 - Moonlight - #92
2017 - The Shape of Water - #46
2018 - Green Book - #36
2019 - Parasite - #54
2020 - Nomadland - #84 (Box Office Mojo shows it as a 2021 release)
2021 - CODA - ??? (not listed on Box Office Mojo -- $2.2MM gross which would've been around #100)
2022 - Everything Everywhere All at Once - #25
Wow, I can't believe that Hurt Locker and Braveheart were that far down the list. I would have thought Braveheart was a top 5 film
As a comedy, I'd describe Barbie as a goofy comedy similar to Anchorman or Zoolander directed more to a female audience. Why the Academy and critics are treating it like some masterful piece of cinema is comedy in itself. If this movie isn't about female empowerment it wouldn't be getting anywhere near the attention. My wife and daughter loved it. I was bored about 30 minutes in.
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