Burdizzo said:
fightingfarmer09 said:
FriscoKid said:
Although, his underground releases were racist as s**t.
Around the time of Napster there were several highly racist songs that were attributed to him, but were not actually him at all. I'm curious which songs you were thinking were his.
People confuse him with Johnny Rebel. An actual racist song writer.
There was an "underground" or "bootleg' album that was produced outside the normal record companies. It was advertised in the back of sketchy magazines in the 1970s. A lot of pretty offensive lyrics that were popular with people like bikers and white supremacists.
https://en.wikipedia.org/wiki/Underground_Album?wprov=sfla1
Coe always claimed the album was satire. I am sure everyone who has listened to it has their own take on it. Raunchy is the first word that came to my mind.
Indeed. Whether raunchy or rac*st or any other label that people want put on them, I don't see how anyone can listen to the underground stuff and think that he was serious when he recorded them. The lyrics are ridiculous.
RIDICULOUS.
If anyone routinely gets their feelings hurt, go listen to some old Andrew Dice Clay standup if your sensitive ears need a warmup.
No one ever seems to pose the question, "Why would someone who's "such" a big rac*st, sing a self-deprecating song about how his woman is…?" Well, you'll get the point if you listen to the song.
And then the raunchy/sixxually explicit songs: except, nothing worse there than vintage ADC or Eddie Murphy standup.
"Jimmy Buffett Doesn't Live In Key West Anymore" is one of my favorite DAC songs. Probably wasn't offensive to anyone (except maybe Jimmy Buffett).
When you factor in the Shel Silverstein connection, it's pretty clear that DAC set out on a mission to go big on shock value.