TXAG 05 said:
I think actors, musicians, athletes, etc should just keep their mouth shut on political issues, no matter which way they lean. Why make a comment and piss off half the country? Like Michael Jordan said, "Republicans buy sneakers too."
Be like Mike.
Honestly, I think it's more complicated than that.
Because every good movie we've ever seen is about something more than the plot. Meaning, any movie worth its salt, from award-winning dramas to every last Marvel movie, is exploring a theme. Even something like the
Fast & Furious movies, at their core, are about "family"/contend that family is more important than anything.
That's the thematic argument - or thesis - the movie is making, and the characters promoting/getting in the way of that particular argument are what make for the emotional core of the movie, which is what's really keeping us engaged between all the various action set pieces, whether we know it or not.
Some themes are obviously more basic than others, while some are more philosophical, and others of course are more political. Regardless, the entire point of any effective movie is to show a character (or characters) go through some kind of change/catharsis, and the only way to do that is to draw a thematic line in the sand that they have to cross. Again, even the "dumbest" movies do this. Even in
Knocked Up, Seth Rogen's character must go from an aimless, irresponsible moron to a responsible adult. After all the dick jokes, the movie's thematic argument is one that's centered around/is essentially "preaching" responsibility.
This is all a long way of saying that movies are, ultimately/inherently, exercises in what amount to moral arguments. Some you're going to agree with (of course "family" and "responsibility" are good!), some you might not ("people are inherently perverts" or "there is no such thing as objective morality" - themes that someone like David Fincher has argued in his movies). Either way, this is why I've never fully understood A) the "leave the messaging out of it" complaints, or B) "the art can have a message but the people who made the art should just shut up" opinions. Especially when what it often
really comes down to is A) "leave the messaging
that I disagree with out of it," or B) "okay, the artists can talk but only if they say something I agree with."
Movies, by their very nature, are moral statements. Which often lead to them being
political statements as well. So it's not really that weird or offensive to me when actors, in their promotion of movies, end up sharing moral/political arguments as well, especially when the movie they're promoting is dealing with politics (as
Brave New World clearly does).
Granted, in a vacuum, what Mackie said was ill-advised and stupid.
But I don't think he should just shut up either.
That, and I understand where he was probably coming from, seeing as the Evans iteration of the character, in basically his final arc, was literally a fugitive on the run, one who was AGAINST the United States government. Now, obviously, as someone pointed out earlier, our government and "America" aren't necessarily one and the same. But I think Mackie was most likely A) implying that he was simply taking the thematic baton that the Evans iteration handed him, and B) trying to say that the character's values - honor, dignity, integrity (all three of which Mackie names) - are universal in nature, and not just bound to "America."
It just came out wrong.
Or… maybe he is just another uppity, ungrateful black guy who people on the internet now get to rage about and use to virtue signal while making themselves feel big and patriotic in the process.