Dumber than King of the Monsters, but also somehow better? Or at least more fun?
If anything, to echo others in this thread, it looked amazing. The CGI, the cinematography, the lighting... were all incredible, to the point where, with the right script, I think Adam Wingard could do wonders. He's doing Thundercats next, though, so... maybe after that?
A few questions/notes...
- In the pre-movie events off screen, how did Nathan's brother's team find/make it to Hollow Earth without a Titan? Nothing about that plot line made any damn sense. Nathan wrote a book about Hollow Earth, presumably as if it were a theory and no one had ever been there, considering how it was received. No one believed him, his book tanked. Except that his brother and his team not only went there, without a Titan, they were torn apart by Hollow Earth's gravity. Yet, according to Nathan's in-the-moment brainstorm, the only way to get to Hollow Earth is to use a Titan to guide you there. Which, again, is simultaneously a theoretical location and a real place his brother had actually been, without the help of Titan. But, Titans... you gotta have one to get there. At least according to Nathan's wild theory. Even though his brother had already been there; "there" being a place that may or may not exist, where his brother definitely died. Wut?
- That said, it was laughably easy to get to Hallow Earth. Like, they literally followed Kong in basically a straight line toward a giant, bright-shining wormhole. And then the wormhole did the rest. There was zero "navigating" and it felt like a human team could have found that wormhole the first time they ever entered that cavern, in a matter of hours.
- I love how the invention of anti-gravity - which would easily be the greatest scientific invention in all of human history - is just some off-handed throw-away thing here. That, and scientists estimate that, even if we could master the science behind anti-gravity, it would still take all the power currently generated on Earth to run an anti-gravity machine. In other words... Apex's invention to journey to the center of the earth to harness the power of Hollow Earth would, itself, require all the power on Earth. A super nerdy nitpick, I know, but I just found that kind of hilarious.
- Though, I will say, I actually kind of liked Hollow Earth once we finally got there. It was an idea I'd never seen on screen before, executed about as well as it could be. The gravity of it all was cool, the throne room (and throne room music) was badass, and I just really enjoyed that entire sequence, up until Godzilla atomic-breathed a hole from Tokyo directly to them, something I still have no clue what purpose it served, or why Godzilla even did it. Further, why have them wormhole *to* Hollow Earth (which was never explained... there's just, you know, a wormhole there), but then have Kong climb 4000 MILES UP to Tokyo, through the atomic hole, in a matter of seconds/minutes, with the three humans not far behind? Also, didn't we do all of this in the last movie? The one where Ken Watanabe died in what looked to be yet another throne room at the center of the Earth?
- Speaking of, please don't tell me that the bad guys "uploaded" power from the throne room, via that little crawling, core-sample machine, to Mechgodzilla. Seriously, what the hell was that? That little crawling machine thing took a core sample of powered-up rock, then the next thing I knew something was being "downloaded" to Mechagodzilla, which I can only assume was the energy required to power it, since that was obviously what they were after all along. But, like, you can't just "upload" energy over a WiFi signal or whatever. Am I missing something here?
- Oh, and for the record, I was wondering how there was sunlight in Hollow Earth as well, but then they showed a quick, establishing/vista shot of the throne room exterior in the distance and the "power source" or whatever that was kind of glowing above/around it, through the clouds. I took that to be where all the "sunlight" was coming from, kind of like a mini star at the center of the Earth.
Anyway, there were obviously 400 other glaring plot/logic issues, but these were the ones that really stuck out to me. And it all could have been "fixed" with just a couple more lines here and there, or some slight rewriting, which makes it all the more frustrating.
But whatever. I guess I was still entertained enough. Though, I will likely never think about or revisit this movie ever again.