C@LAg said:

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Not saying this is relevant but kind of cool, not the first time musical artists crib from the story to shape the music.

I was looking on wikipedia to see who wrote each episode and read the the section about "Music" and saw this reference:

In order to tie their themes together, Lopez and Anderson-Lopez created a four-note motif that worked in each of the theme song styles. The first two notes of the motif are a major octave, and the last two are a tritone, which is also known as "the devil's interval"; this was their way of saying musically that the series was a "big bright-colored swing while also being really unsettling".Lopez described the motif as "kind of like the WandaVision call-out, easily identifiable in some way in each song" that was incorporated in different ways each time.

https://qz.com/quartzy/1429949/devils-interval-what-makes-music-sound-scary/


Played in sequence or together, the notes F and B clash in a way that feels twitchy, unnatural, foreboding. (If you don't have a keyboard handy, think of the first two notes of Jimi Hendrix's "Purple Haze" or Metallica's "Enter Sandman"or American police sirens.)

It's this interval that folks in the dark ages and the Renaissance called diablous in musicaliterally, "Satan in music." Modern music theorists know it as the tritone (as well as a diminished fifth, or an augmented fourth), though it's also called the devil's interval or the devil's triad.

"The reason it's unsettling is that it's ambiguous, unresolved," Gerald Moshell, music professor at Trinity College in Connecticut, told NPR. "You don't know where it'll go, but it can't stop where it is."

To put it another way, if you change one of the two notes just slightly, the dissonance turns to harmony. What's really happening when we hear dissonance has to do with the relationship between frequencies.

The two pitches of the devil's interval create a much more complicated ratio of frequencies than other intervalswhich makes them, therefore, much harder for the human ear to reconcile. (For instance, using our C major example, the frequency ratio of C to G is 3:2, while for the tritone, it's 45:32, according to Classical FM.)

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TCTTS said:

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I'm not really listing a bunch of time-consuming stuff, though. Hardly any of it, save for the fight stuff, takes up any time at all. Outside of the fights, I'm not really describing any scenes or anything save for a potential big-bag reveal, and if post-credits, that would literally just be like thirty seconds max. Otherwise, what else are they going to do for 50 minutes?

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Quote:

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7) No Luke Skywalker-level character/actor reveal or cameo.

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