Ryan Coogler thanks 'SINNERS' audiences in new message. pic.twitter.com/bCdXe2ibRr
— The Playlist (@ThePlaylistNews) April 22, 2025
Ryan Coogler thanks 'SINNERS' audiences in new message. pic.twitter.com/bCdXe2ibRr
— The Playlist (@ThePlaylistNews) April 22, 2025
All forms of the entertainment industry have realized that anything ‘black’ must be defended. That’s why people are defending “Sinners”. They’ll paint any issue black just because if anyone disagrees, they’re a racist and a sellout. pic.twitter.com/hZGOhLBDF7
— Jason Whitlock (@WhitlockJason) April 23, 2025
I have noticed this phenomenon in modern society, although I haven't seen the movie, so I can't say if it applies here. But it applied to some extent to Black Panther imo...as well as some other works of art. There is almost a patronizing, second-handed, low key racism in this country that seems eager to overly laud or uplift minorities (esp black) from time to time. It mostly exists outside of Hollywood though. Low bail and Go-Fund-Me for Karmelo Anthony who stabbed white kid to death at track meet, idolizing and painting murals of pregnant-woman-robbing-violent-career-felon George Floyd who OD'd on enough fent to kill a small town during arrest etc etc.TCTTS said:
JFC, what a dumbass tweet.
*Clicks on profile, sees "POL" all the way down.*
Figures.
Someone needs to burn in hell for writing and making the movie Sinner.
— Jason Whitlock (@WhitlockJason) April 22, 2025
Agreed...as controversial as he can be, I am pretty shocked to see him say something like this, unless there is some type of overt racism or evil/satanic stuff being championed in the movie. Which does not seem to be the case, from reviews I have seen and posts on here. And even then, it does not condone his above statement.TCTTS said:Someone needs to burn in hell for writing and making the movie Sinner.
— Jason Whitlock (@WhitlockJason) April 22, 2025
^ This is an objectively insane position from which to start the conversation. People then defended the movie in response, and Whitlock's repugnant retort is to say that the only reason anyone likes the movie is because it's "black" and that, essentially, we're all sheep and no one could possibly defend/like the movie on its own merit. Never mind that he then goes on to show a complete misreading of the movie's themes. I'm not saying there's not some merit to what you're saying. But anyone arguing that point through Jason Whitlock's ridiculous, instigating bull**** is not the way to go.
#RyanCoogler’s R-rated #SINNERS starring #MichaelBJordan beats #Smile2 69M, #EvilDeadRise 67.2M & #TheExorcistBeliever 65.5M, #TheConjuring3’s 65.6M entire runs at US #BoxOffice in just 6 days, after INSANE 7.1M on BIGGEST WED Non Ooening Day Post-Covid for horror, just -17.4%… pic.twitter.com/G6Fqp9YNot
— Luiz Fernando (@Luiz_Fernando_J) April 24, 2025
Ruth E. Carter confirms that ‘BLADE’ was originally planned to be a period piece set in the 1920s.
— Cosmic Marvel (@cosmic_marvel) April 23, 2025
She was set to design the costumes.
(via https://t.co/O18siTPlJ1) pic.twitter.com/AmsEpy3PAH
TCTTS said:
Essentially calling anyone who likes or defends this movie woke, race-obsessed sheep isn't an "opposing view." It's provocative, unsubstantiated, small-minded nonsense. Jason Whitlock is a clown.
Is that what you believed when you re-posted alleged Christian man Jason Whitlock, saying a scriptwriter should "burn in hell" for a movie he was pandering about?Quote:
I've always believed there is no wrong or right way to view art, but you do you.
This would have been an incredibly cool take on the character, too bad we likely won't ever get it.TCTTS said:
This would certainly help explain at least part of the delays. Coogler beat them to the punch...Ruth E. Carter confirms that ‘BLADE’ was originally planned to be a period piece set in the 1920s.
— Cosmic Marvel (@cosmic_marvel) April 23, 2025
She was set to design the costumes.
(via https://t.co/O18siTPlJ1) pic.twitter.com/AmsEpy3PAH
20ag07 said:Is that what you believed when you re-posted alleged Christian man Jason Whitlock, saying a scriptwriter should "burn in hell" for a movie he was pandering about?Quote:
I've always believed there is no wrong or right way to view art, but you do you.
No Christian man should say anyone should "burn in hell". But you chose to bring it here. (Without seeing the movie, I'm sure.)
It does not.Quote:
That's his point of view, not mine as I haven't seen the movie. Does Christianity teach you to judge others?
20ag07 said:It does not.Quote:
That's his point of view, not mine as I haven't seen the movie. Does Christianity teach you to judge others?
Nor should you be promoting stupid takes from a person who did, on a film you haven't seen.
But you did.
SINNERS made over 22 million dollars on Monday, Tuesday and Wednesday of this week. Tracking suggests the B.O. will only drop 15% (!!!) in weekend 2. These are massive numbers.
— Robert Meyer Burnett, Viceroy of Verisimilitude (@RMBee) April 25, 2025
Funky Winkerbean said:
It's apparent you guys can't handle someone not falling in and following what you believe. Not once have any of you addressed what he said, you've only attacked me and him. His point of view must be relevant. I'm really surprised you haven't been banned as ad hominem attacks aren't allowed. But please, tell us again you aren't woke.
Quote:
Essentially calling anyone who likes or defends this movie woke, race-obsessed sheep isn't an "opposing view." It's provocative, unsubstantiated, small-minded nonsense.
Quote:
"Someone needs to burn in hell for writing and making the movie Sinner."
^ This is an objectively insane position from which to start the conversation. People then defended the movie in response, and Whitlock's repugnant retort is to say that the only reason anyone likes the movie is because it's "black" and that, essentially, we're all sheep and no one could possibly defend/like the movie on its own merit. Never mind that he then goes on to show a complete misreading of the movie's themes. I'm not saying there's not some merit to what you're saying. But anyone arguing that point through Jason Whitlock's ridiculous, instigating bull**** is not the way to go.
Quote:
Despite what Whitlock says, the movie is not against white people, nor are white people as a race/culture the villain. Hell, one of the main black characters has a history with/gets with/ends up with a white girl.
It's such a stupid, reductive argument on Whitlock's part.
The movie is about *any* structure that seeks to assimilate, appropriate, and strip people of their culture/individualism, with the vampirism obviously being the metaphor in this instance. Does the main villain happen to be white? Yes. But his whiteness isn't what makes him bad. Rather, it's his insatiable desire to assimilate and appropriate. That's it and that's all.