*** DISCLOSURE DAY *** (dir. Steven Spielberg)

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LMCane
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Philip J Fry said:

Horrible stupid movie.

it has been getting roasted by podcasts all weekend long

and I love Speilberg

but am not even going to bother seeing this.

has no interest at all.

shouldn't a movie about DISCLOSING ALIENS EXIST then actually show what happens to all of society AFTER the disclosure?
schmendeler
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The name of the movie is disclosure day. Not Disclosure aftermath.
Redstone
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The Phenomenon, phrase of documentarian James Fox, has very significant evidence behind it. Including huge circumstantial evidence, similar across very diverse times and environment.

I'll again state a quick procedural about whistleblowers protections, followed by drama underground / oceans, with humans and … collaborators … coming to light, could have been amazing.

Instead, it's overly sentimental and quasi-religious storytelling with some soft but very present Christian inversions.

There were much better routes, given how familiar they are with ufology.

Final point, an essential one from the essential Psyop Cinema :::

"Special" powers from trauma, especially childhood trauma? NO……this has been Luciferian, since the time of the Phoenicians, its modern innovators
Teslag
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schmendeler said:

The name of the movie is disclosure day. Not Disclosure aftermath.


To be fair, we also saw all the stupid car chases and spaceballs stormtrooper level agents in the days prior to Disclosure Day
BCG Disciple
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Agree completely.
Redstone
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Severe childhood trauma as a means of "illumination" : this is a consistent theme.

It is wicked, and a major reason, though unspoken, why audience reception is tepid.

https://psyopcinema.com/
Redstone
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I referred to Alberino earlier.

Here is his excellent analysis (spoilers):

TCTTS
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FtWorthHorn said:

BCG Disciple said:

Meh.

Our belief in God is so incredibly fragile that the existence of life outside this world means we would worship it and/or fundamentally cease to believe. It was important for them to repeatedly make this point, despite my going in having zero concern that aliens had anything to do with belief in Christ.

Also, it was silly. Main bad guy just stops because 5 years ago he was a good man. Kind of. It's unclear. We are kind of led to believe since the Nixon admin it was a good organization that only recently lost its way? And the back up bad guy just decided to run off with all of his men instead of actually doing something.

Frst 75% kept me entertained. The landing left me wondering why I wasted my time.

Yeah I said this elsewhere. Two of the foundational elements of this movie are:

1. The presence of aliens will create a conflict with religion so severe that maybe we should cover it up, and

2. The revelation of aliens will be so stunning that humans will put aside their fights because they are struck by awe.


Neither one of these things seems earned or supported by the movie.


That is JANE's view at the OUTSET of the movie.

Not the movie's "foundational" view.

Not Spielberg's view.

Not a point he's "repeatedly" trying to make.

It is a single character's Act One view.

In screenwriting terms, this is called the "anti-thesis."

An anti-thesis that is effectively shared by the movie's antagonist, Noah Scanlon (Colin Firth), but for entirely different purposes (power, greed, a lack of empathy, etc, i.e. not religion).

Once Act Two begins, Jane is then introduced to the "thesis" of the movie - by both Daniel in his own, blunt, stubborn way, but then, increasingly, by Sister Maura, in her more eloquent way - that religion/God CAN flourish in the new world of disclosure.

To that end, Jane's character finally comes to "see the light," so to speak, toward the end of the movie when Sister Maura clarifies to Jane over the phone that Genesis "says we are God's supreme creation on Earth," and then asks, "Why would he make such a vast universe, yet save it only for us?" Everything Jane has been through up to that point (being "possessed" by Scanlon, etc) + Sister Maura's words are then what finally allow Jane to complete her character arc, going from "disclosure is bad/will destroy religion" to "disclosure is good/religion can survive." This is symbolized by *Jane* being the one in the third act at the studio to give Margaret the key MacGuffin - the final mysterious alien rod - which is what allows both the metaphorical and literal LIGHT to return, the broadcast/message to be delivered, and thus the "synthesis" of the movie's thematic elements to be achieved: "Margaret's final "Listen" before the movie cuts to black.
Cliff.Booth
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TCTTS said:

FtWorthHorn said:

BCG Disciple said:

Meh.

Our belief in God is so incredibly fragile that the existence of life outside this world means we would worship it and/or fundamentally cease to believe. It was important for them to repeatedly make this point, despite my going in having zero concern that aliens had anything to do with belief in Christ.

Also, it was silly. Main bad guy just stops because 5 years ago he was a good man. Kind of. It's unclear. We are kind of led to believe since the Nixon admin it was a good organization that only recently lost its way? And the back up bad guy just decided to run off with all of his men instead of actually doing something.

Frst 75% kept me entertained. The landing left me wondering why I wasted my time.

Yeah I said this elsewhere. Two of the foundational elements of this movie are:

1. The presence of aliens will create a conflict with religion so severe that maybe we should cover it up, and

2. The revelation of aliens will be so stunning that humans will put aside their fights because they are struck by awe.


Neither one of these things seems earned or supported by the movie.


That is JANE's view at the OUTSET of the movie.

Not the movie's "foundational" view.

Not Spielberg's view.

Not a point he's "repeatedly" trying to make.

It is a single character's Act One view.

In screenwriting terms, this is called the "anti-thesis."

An anti-thesis that is effectively shared by the movie's antagonist, Noah Scanlon (Colin Firth), but for entirely different purposes (power, greed, a lack of empathy, etc, i.e. not religion).

Once Act Two begins, Jane is then introduced to the "thesis" of the movie - by both Daniel in his own, blunt, stubborn way, but then, increasingly, by Sister Maura, in her more eloquent way - that religion/God CAN flourish in the new world of disclosure.

To that end, Jane's character finally comes to "see the light," so to speak, toward the end of the movie when Sister Maura clarifies to Jane over the phone that Genesis "says we are God's supreme creation on Earth," and then asks, "Why would he make such a vast universe, yet save it only for us?" Everything Jane has been through up to that point (being "possessed" by Scanlon, etc) + Sister Maura's words are then what finally allow Jane to complete her character arc, going from "disclosure is bad/will destroy religion" to "disclosure is good/religion can survive." This is symbolized by *Jane* being the one in the third act at the studio to give Margaret the key MacGuffin - the final mysterious alien rod - which is what allows both the metaphorical and literal LIGHT to return, the broadcast/message to be delivered, and thus the "synthesis" of the movie's thematic elements to be achieved: "Margaret's final "Listen" before the movie cuts to black.


TCTTS
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Don't start this **** again.
Philip J Fry
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This was the part I the most seriously. Of course the media would run with something bombastic like this without doing any independent verification outside of a 2 second AI scan. Total and complete tosh.

I've also come to loathe the mcguffin trope. That's all this was from start to finish.
Cliff.Booth
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Lol relax yourself TC. Just thought it was funny.
TyHolden
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Does this go into Spielberg's top 10 flops list?
I hope I did not offend anybody with this post. If I did, please come see me at my address in my profile so we can talk.
Cliff.Booth
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100%, goes into Top 5.
tk for tu juan
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There are 22 or 23 projects where he was a Director with a lower IMDb Rating than Disclosure Day

It is sitting at 11 if you filter to just movies


veryfuller
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AG
Hot take: Always is way underrated
AozorAg
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Damn. I love alien movies. I wish this had been good. Was semi looking forward to streaming it one day. Oh well.
maroon barchetta
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veryfuller said:

Hot take: Always is way underrated


As is 1941
javajaws
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AozorAg said:

Damn. I love alien movies. I wish this had been good. Was semi looking forward to streaming it one day. Oh well.



Lol

So you're just here for the lynch mob virtue signaling?
"Those who would give up essential Liberty, to purchase a little temporary Safety, deserve neither Liberty nor Safety." - Ben Franklin
TCTTS
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So you haven't even seen it for yourself yet?

Because I wouldn't listen to half of the reactions in this thread.

It currently has an 81% critics score and a 72% audience score on Rotten Tomatoes, along with an average to favorable score on every other ratings site/system.

In other words, it's no where near the disaster some here are making it out to be.

Is it flawed? No doubt.

Is it middle-of-the-pack Spielberg? Yep.

But it's still a Spielberg movie. Meaning top-notch filmmaking and a start-to-finish effort that he so clearly put a ton of thought and care into.

IMO, it's a good movie with flaws, not a bad movie. Not by any stretch.

For you, it may not be worth a theater run (though I personally think it is), but it's absolutely worth a watch on streaming.
tk for tu juan
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It is socially acceptable to watch movies that others consider to be bad. You never know, you might enjoy it. If it sucks, switch to MST3K mode in your head
Cinco Ranch Aggie
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AozorAg said:

Damn. I love alien movies. I wish this had been good. Was semi looking forward to streaming it one day. Oh well.


Or you could just be your own (wo)man and go see it for yourself rather than letting a bunch of negative opinions decide for you. I mean, just a suggestion.
Saxsoon
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Cliff.Booth said:

100%, goes into Top 5.
You clearly haven't watched every one of his films to say that bull**** comment
Cliff.Booth
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I haven't. I'd say it's Top 5 Most Disappointing of what he's directed post 1990.
agdoc2001
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Cinco Ranch Aggie said:

AozorAg said:

Damn. I love alien movies. I wish this had been good. Was semi looking forward to streaming it one day. Oh well.


Or you could just be your own (wo)man and go see it for yourself rather than letting a bunch of negative opinions decide for you. I mean, just a suggestion.

Not all of us have the free time to go see the same mediocre movie 3 times during it's theatrical run like some of y'all on this forum and we have to be somewhat selective in what we choose to go see.
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schmendeler
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I only saw this mediocre movie once in theaters. I have no regrets.
GoAgs92
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after all these lukewarm reviews, I'm waiting for Netflix, Movie looks and sounds a bit boring.
FtWorthHorn
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TCTTS said:

FtWorthHorn said:

BCG Disciple said:

Meh.

Our belief in God is so incredibly fragile that the existence of life outside this world means we would worship it and/or fundamentally cease to believe. It was important for them to repeatedly make this point, despite my going in having zero concern that aliens had anything to do with belief in Christ.

Also, it was silly. Main bad guy just stops because 5 years ago he was a good man. Kind of. It's unclear. We are kind of led to believe since the Nixon admin it was a good organization that only recently lost its way? And the back up bad guy just decided to run off with all of his men instead of actually doing something.

Frst 75% kept me entertained. The landing left me wondering why I wasted my time.

Yeah I said this elsewhere. Two of the foundational elements of this movie are:

1. The presence of aliens will create a conflict with religion so severe that maybe we should cover it up, and

2. The revelation of aliens will be so stunning that humans will put aside their fights because they are struck by awe.


Neither one of these things seems earned or supported by the movie.


That is JANE's view at the OUTSET of the movie.

Not the movie's "foundational" view.

Not Spielberg's view.

Not a point he's "repeatedly" trying to make.

It is a single character's Act One view.

In screenwriting terms, this is called the "anti-thesis."

An anti-thesis that is effectively shared by the movie's antagonist, Noah Scanlon (Colin Firth), but for entirely different purposes (power, greed, a lack of empathy, etc, i.e. not religion).

Once Act Two begins, Jane is then introduced to the "thesis" of the movie - by both Daniel in his own, blunt, stubborn way, but then, increasingly, by Sister Maura, in her more eloquent way - that religion/God CAN flourish in the new world of disclosure.

To that end, Jane's character finally comes to "see the light," so to speak, toward the end of the movie when Sister Maura clarifies to Jane over the phone that Genesis "says we are God's supreme creation on Earth," and then asks, "Why would he make such a vast universe, yet save it only for us?" Everything Jane has been through up to that point (being "possessed" by Scanlon, etc) + Sister Maura's words are then what finally allow Jane to complete her character arc, going from "disclosure is bad/will destroy religion" to "disclosure is good/religion can survive." This is symbolized by *Jane* being the one in the third act at the studio to give Margaret the key MacGuffin - the final mysterious alien rod - which is what allows both the metaphorical and literal LIGHT to return, the broadcast/message to be delivered, and thus the "synthesis" of the movie's thematic elements to be achieved: "Margaret's final "Listen" before the movie cuts to black.

Yes, I am aware of that. But the movie working relies on us, the viewers, believing that the anti-thesis might in fact be correct (or is at least understandable). And that didn't work for me - I don't think that's a reasonable or interesting fear, really. So I was not compelled by Jane's journey. And, as you note, it's one of the themes that is brought up the most often in this movie (in contrast to some of the smaller items like the aliens and empathy, which is sort of thrown away in a Coleman Domingo line).
Cinco Ranch Aggie
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Who said anything about seeing it three times?

I saw it once. I enjoyed it, apparently more than most here. I won't see it in a theater again.
AozorAg
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TCTTS said:

So you haven't even seen it for yourself yet?

Because I wouldn't listen to half of the reactions in this thread.

It currently has an 81% critics score and a 72% audience score on Rotten Tomatoes, along with an average to favorable score on every other ratings site/system.

In other words, it's no where near the disaster some here are making it out to be.

Is it flawed? No doubt.

Is it middle-of-the-pack Spielberg? Yep.

But it's still a Spielberg movie. Meaning top-notch filmmaking and a start-to-finish effort that he so clearly put a ton of thought and care into.

IMO, it's a good movie with flaws, not a bad movie. Not by any stretch.

For you, it may not be worth a theater run (though I personally think it is), but it's absolutely worth a watch on streaming.

Well, if you're here goaltending for it, that pretty much solidifies my decision not to see it.
TCTTS
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javajaws
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Instead of this he's gonna watch those "perfect 10" made for streaming alien movies instead because they are all so much better than this Spielberg crap!
"Those who would give up essential Liberty, to purchase a little temporary Safety, deserve neither Liberty nor Safety." - Ben Franklin
Heineken-Ashi
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javajaws said:

Instead of this he's gonna watch those "perfect 10" made for streaming alien movies instead because they are all so much better than this Spielberg crap!

Go watch The Vast of Night if you want a Spielberg nostalgic experience. It's 10x better on a tiny fraction of the budget.

tk for tu juan
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Full Disclosure: I paid around $42 for an IMAX ticket, small pizza, and a Coke. I will not be seeing this movie three times at those prices
tk for tu juan
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