
Ayee, whoever this actress is - she did the damn thing. Easily the best performance of this episode. Needs more scenes.

agreed. and those tears at the end of the scene followed by, "sorry about your son" as she was walking out, made for a heck of a scene.Head Ninja In Charge said:
Ayee, whoever this actress is - she did the damn thing. Easily the best performance of this episode. Needs more scenes.
I know I'm behind here and I'll watch some more, but a few things in EP2 that bugged me to no end....Ghost of Bisbee said:
For all those jumping ship, recommend giving it another episode or two at least.
What follows this series of events from tonight's episode in the game is an absolute masterpiece in storytelling and gameplay. I hope the show can replicate that. It is that good.
Coincidences happen all the time in life. It's not that big of a stretch at all.TCTTS said:
Again, my primary issue is with the massive coincidence of Abby randomly running into Joel in the first place. They make a whole deal about the lengths they've taken to hunt him down, and then about how fortified the town is, only for the one guy Abby has spent five years searching for to be found miraculously outside the walls, within eye sight of Abby, at the exact same moment she just so happens to be on watch.
Don't want to derail but I think it's also fair to note that Nora didn't think that she was a real thing, much less that that person was Ellie.TCTTS said:
I expect everyone who insisted/told me over and over again, for two straight weeks, that no remaining WLFs would know about the "immune girl" in the hospital, to start lining up for the crow I am now serving.
Because Abby's whole crew clearly knew the whole damn story.
I ****ing told y'all.
FL_Ag1998 said:TCTTS said:
It was broad daylight outside. The lights made no difference. And if the generator was in a basement or tucked away there was hardly any risk of it being heard by warring factions way off in the distance. Ellie and Dina had clearly checked the place/area out beforehand.
I can feel this starting to turn into military guys/experts nitpicking about realism and accuracy, and to me that's just the absolute worst, most boring way to watch/discuss a show like this.
I'll drop this line of argument as well after this post, but come on. This is HBO's premiere show right now. A dark supposedly realistic take on a zombie world (as ridiculous as that sounds when said out loud). So yeah, sometimes the viewers are going to get nitpicky when the writers decide to get willy-nilly with details of the world they've built whenever it's convenient to them. And as Apache mentioned, compared to truely standout shows like Andor, the failings of this show stand out even more so.
Yes, you're making arguments to support your viewpoint regarding the characters actions (just like I'm doing). But, I feel like your arguments are simply ways of trying to justify why the characters would act against their training/nature in this world that's been created. IMO, when the viewer has to do that to enjoy a show it's the result of subpar writing. So, in that regard I feel like you're cutting this show a lot of breaks.
fig96 said:Don't want to derail but I think it's also fair to note that Nora didn't think that she was a real thing, much less that that person was Ellie.TCTTS said:
I expect everyone who insisted/told me over and over again, for two straight weeks, that no remaining WLFs would know about the "immune girl" in the hospital, to start lining up for the crow I am now serving.
Because Abby's whole crew clearly knew the whole damn story.
I ****ing told y'all.
It's entirely plausible that they could think an immune person existing was a myth but also know that Abby's dad would be one of the few who could do something with that knowledge.
TCTTS said:fig96 said:Don't want to derail but I think it's also fair to note that Nora didn't think that she was a real thing, much less that that person was Ellie.TCTTS said:
I expect everyone who insisted/told me over and over again, for two straight weeks, that no remaining WLFs would know about the "immune girl" in the hospital, to start lining up for the crow I am now serving.
Because Abby's whole crew clearly knew the whole damn story.
I ****ing told y'all.
It's entirely plausible that they could think an immune person existing was a myth but also know that Abby's dad would be one of the few who could do something with that knowledge.
I hear you, and I agree, but it just started to get ridiculous how much people were insisting it was impossible that anyone else outside of the doctor and the head of the Fireflies would have knowledge of what was going down/what went down, which is what the conversation evolved (or devolved) to.
TCTTS said:FL_Ag1998 said:TCTTS said:
It was broad daylight outside. The lights made no difference. And if the generator was in a basement or tucked away there was hardly any risk of it being heard by warring factions way off in the distance. Ellie and Dina had clearly checked the place/area out beforehand.
I can feel this starting to turn into military guys/experts nitpicking about realism and accuracy, and to me that's just the absolute worst, most boring way to watch/discuss a show like this.
I'll drop this line of argument as well after this post, but come on. This is HBO's premiere show right now. A dark supposedly realistic take on a zombie world (as ridiculous as that sounds when said out loud). So yeah, sometimes the viewers are going to get nitpicky when the writers decide to get willy-nilly with details of the world they've built whenever it's convenient to them. And as Apache mentioned, compared to truely standout shows like Andor, the failings of this show stand out even more so.
Yes, you're making arguments to support your viewpoint regarding the characters actions (just like I'm doing). But, I feel like your arguments are simply ways of trying to justify why the characters would act against their training/nature in this world that's been created. IMO, when the viewer has to do that to enjoy a show it's the result of subpar writing. So, in that regard I feel like you're cutting this show a lot of breaks.
It's less about making arguments trying to justify why the characters are acting the way they do and more about trying to make the point that servicing character and theme is more important than achieving perfectly logical plot mechanics. People often get fixated on the former without realizing that if the writers stuck strictly to hyper-accurate logic, the story would be robbed of certain drama, character beats, and entertainment value.
Yes, in a perfect world, a show should ideally be able to do both without compromise. But sometimes that compromise can't be avoided, even on a prestige show like this.
To me, in this particular instance, the generator thing was more about showing that Ellie indeed also had a usefulness, re: the conversation she and Dina were having at that very moment. Dina is the smart, well-studied strategizer (and the "light," as you said), while Ellie is more the "muscle"/handyman/fixer. Otherwise, if Dina has all the positive traits, and Ellie is just "stupid," as they joked, their relationship starts to feel weird an imbalanced, and basically like they're George and Lenny in Of Mice and Men.
IMO, the scene was simply trying to show that they make a good team, as succinctly as possible, short of outright saying it. So, because it was first and foremost servicing character, I can forgive it for not adhering to exactly what two trained, hardened soldiers in their position would do.
Wasn't she chastised for being a C- student?CheeseSndwch said:
I did find it odd that Ellie who has received FEDRA military training and was on track to be an officer didn't know how to monitor coms and triangulate a map.
It took me a moment to clock the meaning of it and my jaw just dropped.SECcess12 said:agreed. and those tears at the end of the scene followed by, "sorry about your son" as she was walking out, made for a heck of a scene.Head Ninja In Charge said:
Ayee, whoever this actress is - she did the damn thing. Easily the best performance of this episode. Needs more scenes.


Yep, I mean she said "you just killed both of us" or something like that; so she didn't believe it and didn't associate it with Ellie at all. Not to mention she said the doctor was one of the only people that could create a cure. Insinuating that there was little motivation to bring Ellie along, b/c wtf were they going to do with her. Don't get me wrong, I felt it at least warranted some acknowledgement during the scene and thought it was a bit weak they didn't talk about it, but felt while weak, it was 'defensible'. Kind of like when Dina found out Ellie was immune, I thought that would lead to an interesting conversation... but they decided to go a different direction.fig96 said:Don't want to derail but I think it's also fair to note that Nora didn't think that she was a real thing, much less that that person was Ellie.TCTTS said:
I expect everyone who insisted/told me over and over again, for two straight weeks, that no remaining WLFs would know about the "immune girl" in the hospital, to start lining up for the crow I am now serving.
Because Abby's whole crew clearly knew the whole damn story.
I ****ing told y'all.
It's entirely plausible that they could think an immune person existing was a myth but also know that Abby's dad would be one of the few who could do something with that knowledge.
Maybe its so good it just comes across as terrible.Muy said:
Not a gamer and don't really care if this follows the video game, but the main character is so gd creepy looking and terrible at acting it's just hard to watch.
This. I kept felt like I was watching Twilight or a production meant for Young Adults. Too many plot holes that the director and show runners doesnt feel the need to apologize for because they either don't care, or assume the audience isn't sophisticated enough to care themselves. It is what it os, a theatrical take on a video game. Can't have any expectations beyond that or you won't be the target audience. Personally disappointing because I thought Season One attempted to make it something more substantial. But not season 2. Will see this game to the end….fav13andac1)c said:
The reason the tone of this season feels so off is it because it feels like a romance. The kiss before running away from a pack of infected closing in on you? Give me a break.
It doesn't feel real. It feels like a melodramatic teen soap you'd watch on CW.
The show runners are demonstrating with each passing episode a complete lack of understanding of the source material (push bridge of glasses back up furiously). All Ellie is supposed to be thinking about it is revenge. Her grief is her sole motivation and continues to drive her further and further to losing her sense of self. Hence why the song "Future Days" is a core theme of the original story. The tone should feel dark, desperate, angry, and ruthless.
Craig Mazin had to be convinced to use the song in the show by Neil Druckmann, who wrote the game story.
Also, you mean to tell me Joel didn't teach Ellie how to triangulate? Why is she so dumb??
To put it another way, what I was hoping for with this adaptation was The Dark Knight, what we're getting is Batman & Robin.