I haven't seen or read any of the thoughts from others on this threat yet, but I just got out of the movie and it was terrible.
So they make a Godzille movie and decide they want to tell it almost exclusively from the human angle, with almost all glimpses of the monsters coming in the presence of one of the central characters. That's fine. The problem is, I didn't give a flip about anyone on the screen. Ford was the worst-written, worst-acted and least interesting lead character I've seen in ages. Elizabeth Olsen (Elle) did fine with what she was given, but all she was asked to do is look beautiful and cry on command. The only reason their son existed was to put someone on the Golden Gate Bridge, just like how Elle only existed to put someone else in downtown San Francisco and give Ford someone to be trying to get home to — not that he was trying very hard. Seriously, he didn't seem to care about getting home AT ALL.
Watanabe and his assistant were also worthless. All Watanabe did is stand around and look concerned, then speak slowly with his accent as if he possessed some kind of deeper wisdom. What was he a scientist of? He didn't know jack squat. The NATO general was a cookie-cutter general with no depth, which could be said for every other character in the flick outside Bryan Cranston, who was somewhat interesting, though even his character wasn't handled as well as it could have been and he left far too early in a really weak way that didn't offer any character resolution for himself or any growth for those around him.
As if to underline how much this movie viewed characters as props, Ford was randomly given a surrogate Asian son to protect during an action sequence.
Moving on from the characters...
The story made zero sense. I'll just start listing the ridiculous BS:
-Why didn't the US military engage the MUTO's? All we see is a few rockets shot at Godzilla, and a bunch of small arms fire.
-How did nobody with google earth ever notice a giant cocoon in the middle of Japan's radiation zone?
-How is it that nobody EVER notices the giant gaping hole in the side of a mountain a MUTO escaped from until someone on foot hikes through a long cave or hallway to discover it from the inside first?
-Why the heck was Watanabe's wind-up pocket watch frozen by Hiroshima???? THATS NOT HOW EMP WORKS!
-Why waste time with flyby's around a monster that can disable everything with EMP?
-How did the larger MUTO fit its entire body in that tiny little mountain before escaping?
-Why were some Californians still working at their desks when the final fight began?
-Why did the power turn back on the moment the final MUTO died?
-Why does Godzilla emerging from the ocean cause a tsunami when a final-scene belly flop hardly causes a wave?
-Why move the nukes by train because you can't fly helicopters, only to later pick the nuke up with a helicopter?
-Why did the MUTO's leave that nuke behind in the first place?
-Why create nukes that are EMP proof, but use electronic-based technology in all other fights with the MUTO's?
-Why start the timer on a nuke in the San Francisco harbor before taking it to its detonation point?
-What exactly was the plan on that? Start the timer and leave the nuke out there, then hope all three monsters show up right when it detonates?
On the plus side, some of the scenes did look cool.
TL/DR, I can't wait for Godzilla to get an honest movies trailer.
[This message has been edited by Aggie_Journalist (edited 5/18/2014 5:50p).]