FancyKetchup14 said:
aggiedata said:
I rewatched episode 1-1.
I had forgotten that Phillip was ready to turn himself in to Stan thinking that Stan was sent from the FBI to live across the street. He was being lured with the thought of money and a new life. He then killed the kidnapped defector and that was a that.
Their car make model and color was ID'ed. Stan was suspicious and broke into the garage at night to look at the trunk. They had cleaned it out. He left. With Phillip hiding in the corner with a gun.
It's going full circle.
That was one of the best endings to one of the best pilots ever filmed. Loved the whole suspense build up with "Tusk" playing in the background. (At least I think that's what was playing)
Yes but Tusk was also played early in that episode the music was amazing and hooked me early on.
Opening - HardenMy Heart by Quarterflash - Elizabeth picking up a DC hotshot in a bar
Tusk by Fleetwod Mac kicks in as she goes down on him... montage after in her car changing, etc., and Philip with another russian chasing down a guy and killing him, dumping their guy at hospital, hurrying to some meet up at the dock with captive, etc.
In the Air Tonight by Phil Collins later as they are driving after killing the captive - they dump his body and then they have sex in the car - lol - first sign that Elizabeth is not only psycho but a freak.
She's A Roller by April Wine - plays as Philip beats the crap out of the headbanger creep that hit on Paige at the mall and stick his BBQ fork through his hand
The music that plays over Stan sneaking in their garage, etc. is just tense mood music... but then it segues into an outro of Tusk again.
Great use of music there and in several other episodes.