*****The Lord of the Rings: The Rings of Power*****

147,180 Views | 1847 Replies | Last: 21 days ago by maroon man
TCTTS
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This is such a weirdly agro attitude to take.

Books and TV/films are two completely different mediums that are bound by completely different requirements. Showrunners or directors or whoever don't just f/ck with the material for the hell of it or on a whim or because they don't give a sh*t about the fans. TV/films have to meet way more specific criteria, beats, arcs, and time constraints, and often that means having to compromise or condense the source material in order to translate it. Which, unfortunately, can result in fans feeling shafted, and taking it personal for no real reason.

I was just asking a simple question about why fantasy seems to garner more engagement, and more passionate engagement, than most other show threads. In response, there were some great answers that make a lot of sense.
CondensedFogAggie
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DallasTeleAg said:


I disagree with this, at least from my perspective. My issues with adaptations I have seen has never been because I interpreted it differently, or had a different picture in my head. I may mentioned how I thought a city looked different, or a character looked different.

I think most of the biggest issues come down to actual changes from the narrative.

For example, I recently posted in the Sanderson thread about watching a live signing and Sanderson answering questions about races in his eventual Stormlight series. He said one of the main cultures in the series, the Alethi, would probably be played by Asian Americans. I posted this because I had always pictured them in my mind to be more middle eastern or Indian in looks, and was curious how other readers had pictured them.

Casting them as Asian American would not bother me in the slightest. However, casting just a hodgepodge of races for an entire culture in a world with multiple cultures and races would be a narrative change.

Buddy, this is like the 10th time you've told us that you have a problem with the races in the show.

We get it.
redline248
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Couple of points no one cares about:

1. I don't think it's unreasonable to ask why they are staying. Yes, some of them went back toward the orcs, but the rest could just as easily run away from them. Yes, the tower is fortified, but unlike old western forts there is no army there to defend it. Running out of food in a tower while an army approaches isn't necessarily a better option than trying to run away fast enough that the army can't find you.

2. On the other hand, how fast can you run away with kids and elderly, and no good food supply? At some point even a cornered animal is gonna turn and fight for its life. Humans, in almost all stories in history, have a great resolve to defend themselves from death and danger, and a fortified position is a better option than on the road. The episode in which that one d-bag led some of them away, the rest decided to fight.
canadiaggie
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redline248 said:

Couple of points no one cares about:

1. I don't think it's unreasonable to ask why they are staying. Yes, some of them went back toward the orcs, but the rest could just as easily run away from them. Yes, the tower is fortified, but unlike old western forts there is no army there to defend it. Running out of food in a tower while an army approaches isn't necessarily a better option than trying to run away fast enough that the army can't find you.

2. On the other hand, how fast can you run away with kids and elderly, and no good food supply? At some point even a cornered animal is gonna turn and fight for its life. Humans, in almost all stories in history, have a great resolve to defend themselves from death and danger, and a fortified position is a better option than on the road. The episode in which that one d-bag led some of them away, the rest decided to fight.
Yep. Makes me think of Helms Deep but I think it was implied that Saruman wanted Rohan to pen itself up so he could wipe them all out at once.
Lathspell
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TCTTS said:

Books and TV/films are two completely different mediums that are bound by completely different requirements. Showrunners or directors or whoever don't just f/ck with the material for the hell of it or on a whim or because they don't give a sh*t about the fans. TV/films have to meet way more specific criteria, beats, arcs, and time constraints, and often that means having to compromise or condense the source material in order to translate it. Which, unfortunately, can result in fans feeling shafted, and taking it personal for no real reason.

I was just asking a simple question about why fantasy seems to garner more engagement, and more passionate engagement, than most other show threads. In response, there were some great answers that make a lot of sense.
Lol... so I answer your question but you have a problem with it and claim i'm being aggressive? You are impossible to have a simple conversation with because you immediately respond with hyperbole.

No, there are many things they change for the sake of changing them. Showrunners, writers, and directors add things that make no sense many times that never needed to be added. Take The Half Blood Prince, as an example. Adding an entire action sequence that made absolutely no sense and removing the main action sequence from the books. The one they added had just as much need for effects and time than the one that was actually in the book. Why change it? Simply to add a "flashy" scene, though it made absolutely no sense, narratively. A HUGE plot hole in that movie.

Your response would make sense when talking about the original LotR trilogy. You had fans of the source material, who understood the source material, adapt it for cinema. What we got was one of the greatest achievements in cinema history. It is beloved by fans of the books and others. Were there differences? Yes. Will we talk about the differences and wish they were handled differently? Sure. But they were not enough for us to trash the movies.
TCTTS
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DallasTeleAg said:

TCTTS said:

Books and TV/films are two completely different mediums that are bound by completely different requirements. Showrunners or directors or whoever don't just f/ck with the material for the hell of it or on a whim or because they don't give a sh*t about the fans. TV/films have to meet way more specific criteria, beats, arcs, and time constraints, and often that means having to compromise or condense the source material in order to translate it. Which, unfortunately, can result in fans feeling shafted, and taking it personal for no real reason.

I was just asking a simple question about why fantasy seems to garner more engagement, and more passionate engagement, than most other show threads. In response, there were some great answers that make a lot of sense.
Lol... so I answer your question but you have a problem with it and claim i'm being aggressive? You are impossible to have a simple conversation with because you immediately respond with hyperbole.

No, there are many things they change for the sake of changing them. Showrunners, writers, and directors add things that make no sense many times that never needed to be added. Take The Half Blood Prince, as an example. Adding an entire action sequence that made absolutely no sense and removing the main action sequence from the books. The one they added had just as much need for effects and time than the one that was actually in the book. Why change it? Simply to add a "flashy" scene, though it made absolutely no sense, narratively. A HUGE plot hole in that movie.

Your response would make sense when talking about the original LotR trilogy. You had fans of the source material, who understood the source material, adapt it for cinema. What we got was one of the greatest achievements in cinema history. It is beloved by fans of the books and others. Were there differences? Yes. Will we talk about the differences and wish they were handled differently? Sure. But they were not enough for us to trash the movies.

You stereotyped showrunners, needlessly sh*t on them, said they don't care about fans, had a word censored due to language, and then mocked certain posters here with your "bro" comment. I'm sorry, but there was absolutely an attitude to your post and you didn't just innocently answer my question.

And of course certain, specific instances can be pointed to where things have needlessly been changed. I didn't say directors/writers/showrunners were perfect human beings incapable of indulgences. I was merely pointing out that most of them are huge fans themselves, and doing their damnedest to honor the source material. It's just that, again, there are so many more constraints on TV/films than there are on books, their decisions don't have to be taken personally, and that basically labeling all showrunners as disrespectful Hollywood assh*les is incredibly disingenuous, and not even close to the truth.
The Porkchop Express
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Every thread that I like is turning into this on F13.

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DVC2010
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M.C. Swag said:

Haha idk anywhere? Like, unless they're completely surrounded by orcs and the land all around is just barren of food and water (which would still pose a problem regardless if they stayed in the tower)), why wouldn't literally anywhere else be better?


Haven't finished catching up yet, but you're asking a very good question. They're already a displaced population. Their home is already ransacked. Unless they have some plan to retake their town (the buildings aren't important, but the crops are), these people will all be dead by winter, tower or no.

I'm with you on this one. They are refugees who are acting like they'll just stay at the AirBnB until the exterminator takes care of those pesky orcs.
Brian Earl Spilner
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OnlyForNow said:

This isn't spoilers, but you realize they're in Mordor right?
PatAg
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M.C. Swag said:

Haha idk anywhere? Like, unless they're completely surrounded by orcs and the land all around is just barren of food and water (which would still pose a problem regardless if they stayed in the tower)), why wouldn't literally anywhere else be better?
Thats why I think they could have easily just had someone say a line like "head for the tower, we wont be able to escape to <insert other country here> without the orcs catching us on the road.

It ultimately comes to, clearly this tower has a special purpose, and the story requires them to be there. So its not worth wasting all of this discussion on, lol
PatAg
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Brian Earl Spilner said:

OnlyForNow said:

This isn't spoilers, but you realize they're in Mordor right?

The Porkchop Express
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Life is better with a beagle
canadiaggie
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I don't have a great scale image of Middle Earth in my head, but aren't they basically trapped by Mordor's geography?

I guess they could go towards Rhun
PatAg
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canadiaggie said:

I don't have a great scale image of Middle Earth in my head, but aren't they basically trapped by Mordor's geography?

I guess they could go towards Rhun
They showed a map of it at that time, and I remember their being a range of mountains to the west? Maybe the Weast
canadiaggie
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PatAg said:

canadiaggie said:

I don't have a great scale image of Middle Earth in my head, but aren't they basically trapped by Mordor's geography?

I guess they could go towards Rhun
They showed a map of it at that time, and I remember their being a range of mountains to the west? Maybe the Weast


The presence of a river in the shot where Arondir is on the watchtower indicates they're somewhere along one of the rivers that feeds into the Sea of Nurnen. There were mountains as well. My money is on the center river, the one that cuts through the first R in Mordor.

Brian Earl Spilner
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PatAg said:

Brian Earl Spilner said:

OnlyForNow said:

This isn't spoilers, but you realize they're in Mordor right?




Lathspell
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Lol... god, you are so sensitive. There are literally several posts on this thread mocking fans like me by saying this is a fantasy so I don't deserve to have an opinion. Forgive me if I am not spineless and stick up for myself. And the word that was used was used correctly, not as an insult.

And yes, it is the showrunners who do this. How many successful fantasy series based on books are there versus ones that fail? Seeing as it's up to the showrunners to lead the charge, then I am definitely blaming them.

You just take every criticism at Hollywood so personally and cannot help but respond. I'm done with this back and forth with you, but please continue. I know you can't resist.
TCTTS
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This is what, the tenth time you've said you're "done" with me? Yet you continually engage, complain endlessly about the dumbest stuff, whine in thread after thread, and call me sensitive while being one of the most sensitive posters yourself. Just admit it, you don't know how to quit me...

powerbelly
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His reaction reflects Hollywood's opinion of fans. They don't give a **** as long as it makes money. They have zero interest in being faithful to source material.
The Porkchop Express
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Another successful TexAgs hookup.
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Lathspell
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powerbelly said:

His reaction reflects Hollywood's opinion of fans. They don't give a **** as long as it makes money. They have zero interest in being faithful to source material.
This. x100.

The funny thing is if they did focus on that which made the source material so great, it has proven to also lead to commercial success. But they just can't help themselves.
TCTTS
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powerbelly said:

His reaction reflects Hollywood's opinion of fans. They don't give a **** as long as it makes money. They have zero interest in being faithful to source material.

My reaction, in which I've literally made the argument that the majority of these guys care deeply about the fans/source material? That reaction? Where I'm defending attempts to make the very best shows that can be made? Once again, the people who see Hollywood as the boogieman will never be able to be convinced of anything else. You need your villain, and I guess get that. No matter how much logic says otherwise, and the fact that changes to the source material are far more often than not a result of the demands of the medium, as opposed to all these nefarious assh*les who for some reason take jobs working on properties they apparently hate, in attempt to displease the very fans who would otherwise make their shows popular. You guys cracked it! It's a strategy that makes total sense!
powerbelly
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TCTTS said:

powerbelly said:

His reaction reflects Hollywood's opinion of fans. They don't give a **** as long as it makes money. They have zero interest in being faithful to source material.

My reaction, in which I've literally made the argument that the majority of these guys care deeply about the fans/source material? That reaction? Where I'm defending attempts to make the very best shows that can be made? Once again, the people who see Hollywood as the boogieman will never be able to be convinced of anything else. You need your villain, and I guess get that. No matter how much logic says otherwise, and the fact that changes to the source material are far more often than not a result of the demands of the medium, as opposed to all these nefarious assh*les who for some reason take jobs working on properties they apparently hate, in attempt to displease the very fans who would otherwise make their shows popular. You guys cracked it! It's a strategy that makes total sense!
They clearly don't. They change things that are not a factor of the medium. You can claim they do care, but it doesn't show up in their work at all.

I am not going to address all the straw men in your rant, but it is clear you don't understand our point of view and never will.
PatAg
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canadiaggie said:

PatAg said:

canadiaggie said:

I don't have a great scale image of Middle Earth in my head, but aren't they basically trapped by Mordor's geography?

I guess they could go towards Rhun
They showed a map of it at that time, and I remember their being a range of mountains to the west? Maybe the Weast


The presence of a river in the shot where Arondir is on the watchtower indicates they're somewhere along one of the rivers that feeds into the Sea of Nurnen. There were mountains as well. My money is on the center river, the one that cuts through the first R in Mordor.


I can't take a screenshot because of how Prime streaming works, but in Episode 1 they show the southlands being to the right of the letter R in Mordor, but more even with the bend in that right.
So essentially in that empty space East/Northeast of the river
Lathspell
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powerbelly said:


I am not going to address all the straw men in your rant, but it is clear you don't understand our point of view and never will.
This is the level of wisdom I aspire to, lol
Lathspell
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I'm still holding onto the theory that the "key" unleashes Orodruin, which will cover the lands in ash. I'm thinking that's part of a last episode of the season montage as things are spiraling. Unless, they decide to drag that on for 4 more seasons. Granted, I wouldn't put it past them.
OnlyForNow
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You mean out of, right Brian?
PatAg
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DallasTeleAg said:

I'm still holding onto the theory that the "key" unleashes Orodruin, which will cover the lands in ash. I'm thinking that's part of a last episode of the season montage as things are spiraling. Unless, they decide to drag that on for 4 more seasons. Granted, I wouldn't put it past them.
Possibly, but based off where they showed the Southlands being, they arent very close to that location at all.
Unless they just cover way more ground walking than they made it appear, which is always possible in fantasy shows
OnlyForNow
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I don't think the southlands are in "mordor".

canadiaggie
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PatAg said:

canadiaggie said:

PatAg said:

canadiaggie said:

I don't have a great scale image of Middle Earth in my head, but aren't they basically trapped by Mordor's geography?

I guess they could go towards Rhun
They showed a map of it at that time, and I remember their being a range of mountains to the west? Maybe the Weast


The presence of a river in the shot where Arondir is on the watchtower indicates they're somewhere along one of the rivers that feeds into the Sea of Nurnen. There were mountains as well. My money is on the center river, the one that cuts through the first R in Mordor.


I can't take a screenshot because of how Prime streaming works, but in Episode 1 they show the southlands being to the right of the letter R in Mordor, but more even with the bend in that right.
So essentially in that empty space East/Northeast of the river


Will go back and look but I think you're right
TCTTS
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powerbelly said:

TCTTS said:

powerbelly said:

His reaction reflects Hollywood's opinion of fans. They don't give a **** as long as it makes money. They have zero interest in being faithful to source material.

My reaction, in which I've literally made the argument that the majority of these guys care deeply about the fans/source material? That reaction? Where I'm defending attempts to make the very best shows that can be made? Once again, the people who see Hollywood as the boogieman will never be able to be convinced of anything else. You need your villain, and I guess get that. No matter how much logic says otherwise, and the fact that changes to the source material are far more often than not a result of the demands of the medium, as opposed to all these nefarious assh*les who for some reason take jobs working on properties they apparently hate, in attempt to displease the very fans who would otherwise make their shows popular. You guys cracked it! It's a strategy that makes total sense!
They clearly don't. They change things that are not a factor of the medium. You can claim they do care, but it doesn't show up in their work at all.

I am not going to address all the straw men in your rant, but it is clear you don't understand our point of view and never will.

Then please, explain their motivations. I would love to hear *why* you think these people take these jobs, beating out dozens of other candidates, but then actively decide to piss off their primary audience by making changes willy nilly. Especially when they're being paid by companies looking to make maximum $$$, who desperately need the very fanbases apparently being sh*t on, the very fanbases that make the IP so valuable in the first place.

How can you guys actually believe this is what happens and how it goes down? When the simplest, most obvious, most truthful answer is that the constraints of the medium are the primary cause? That's just the undeniable reality of the situation. Changes have to be made and corners have to be cut in order to translate books to screen. That's like Adaptations 101. Again, that's not to say that dumb execs don't get in the way, or insist on stupid sh*t from time to time, but that kind of stuff is unavoidable.
Lathspell
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PatAg said:

DallasTeleAg said:

I'm still holding onto the theory that the "key" unleashes Orodruin, which will cover the lands in ash. I'm thinking that's part of a last episode of the season montage as things are spiraling. Unless, they decide to drag that on for 4 more seasons. Granted, I wouldn't put it past them.
Possibly, but based off where they showed the Southlands being, they arent very close to that location at all.
Unless they just cover way more ground walking than they made it appear, which is always possible in fantasy shows
It could have been brought that far away as Sauron's army retreated. I just thought that based on them mentioning it is a key in the same episode where Arda is basically saying goodbye to the sun. Just made sense to me.
powerbelly
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OnlyForNow said:

I don't think the southlands are in "mordor".

IIRC they aren't. They should be south of "Mordor". But I think this show intends them to be Mordor.
PatAg
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DallasTeleAg said:

PatAg said:

DallasTeleAg said:

I'm still holding onto the theory that the "key" unleashes Orodruin, which will cover the lands in ash. I'm thinking that's part of a last episode of the season montage as things are spiraling. Unless, they decide to drag that on for 4 more seasons. Granted, I wouldn't put it past them.
Possibly, but based off where they showed the Southlands being, they arent very close to that location at all.
Unless they just cover way more ground walking than they made it appear, which is always possible in fantasy shows
It could have been brought that far away as Sauron's army retreated. I just thought that based on them mentioning it is a key in the same episode where Arda is basically saying goodbye to the sun. Just made sense to me.
Yep, the hints from those scenes do make sense, vs some sort of 'magic' way of doing it
powerbelly
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TCTTS said:

powerbelly said:

TCTTS said:

powerbelly said:

His reaction reflects Hollywood's opinion of fans. They don't give a **** as long as it makes money. They have zero interest in being faithful to source material.

My reaction, in which I've literally made the argument that the majority of these guys care deeply about the fans/source material? That reaction? Where I'm defending attempts to make the very best shows that can be made? Once again, the people who see Hollywood as the boogieman will never be able to be convinced of anything else. You need your villain, and I guess get that. No matter how much logic says otherwise, and the fact that changes to the source material are far more often than not a result of the demands of the medium, as opposed to all these nefarious assh*les who for some reason take jobs working on properties they apparently hate, in attempt to displease the very fans who would otherwise make their shows popular. You guys cracked it! It's a strategy that makes total sense!
They clearly don't. They change things that are not a factor of the medium. You can claim they do care, but it doesn't show up in their work at all.

I am not going to address all the straw men in your rant, but it is clear you don't understand our point of view and never will.

Then please, explain their motivations. I would love to hear *why* you think these people take these jobs, beating out dozens of other candidates, but then actively decide to piss off their primary audience by making changes willy nilly. Especially when they're being paid by companies looking to make maximum $$$, who desperately need the very fanbases apparently being sh*t on, the very fanbases that makes the IP so valuable in the first place.

How can you guys actually believe this is what happens and how it goes down? When the simplest, most obvious, most truthful answer is that the constraints of the medium are the primary cause? That's just the undeniable reality of the situation. Changes have to be made and corners have to be cut in order to translate books to screen. That's like Adaptations 101. Again, that's not to say that dumb execs don't get in the way, or insist on stupid sh*t from time to time, but that kind of stuff is unavoidable.
They want to make money. Above all this is their motivation. Their primary audience is not those who grew up reading the Silmarillion and the Unfinished Tales and poured over the minutia of Tolkiens writings, etc. The primary audience is those who liked the Hobbit movies, and Game of Thrones, and have never picked up a LOTR book. Amazon needs zero of the hardcore Tolkien nerds for this show to succeed financially.
 
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