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Sheriff Childress...who the fishing boat ex-CID was deputy under (and who is now sheriff of that same Parrish)...certainly must be related to scar face (his Dad?)...who appears to be lawn mower man. And it's apparent the ex-CID is in on it.
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If TD is truly a nihilistic narrative (circle theory, the answer be right under your nose, evil repeats itself, etc), I could see an ending that is considered anti-climatic to some. Maybe Rust and Marty kill Errol but the audience gets to see that the rituals and murders just continue in a flash forward.
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I could see an ending that is considered anti-climatic to some.

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I would be shocked if the ending didn't leave us all thinking "what was the point of all of that?"
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The visuals are great when you see them driving over the bayous, all the waterways, and the landscape.
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I cannot think of anything more insulting as an audience than to go through eight weeks, eight hours with these people, and then to be told it was a lie—that what you were seeing wasn’t really what was happening. The show’s not trying to outsmart you.
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i'm hoping for more of a "their effort was ultimately fruitless" wire-like resolution than a "haha viewer your life is a time waste" ending
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At the end, they take out some soldiers but the game goes on.
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do you remember the end of The Bridge on the River Kwai?
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was the ending to The Bridge on the River Kwai a lie?
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Rust has the pictures and video from Tuttle's safe when he broke in back in 2010. I am unsure what Rust's plan is for solving the case since that "evidence" cannot be used in court against Tuttle since it was wrongfully seized.
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Hart: Did you see True Detective last week? I thought it was pretty good. Can’t believe there are only two episodes left.
Cohle: The best part of watching True Detective was the infinite moment before we began actually watching True Detective. It was a time before time, when the show’s ambitions had not yet revealed themselves — and so, we were still so completely unaware of how little it would live up to its own ambitions. It was like a beautiful baby yet unborn into this cursed sweep of existence, a theory which did not yet have to prove itself. And now here we are, with two episodes left, and it’s clear that True Detective will never prove itself. It is a whole series of endless conversations about endless topics running endlessly. At least The Killing had sweaters.
Hart: I only got about half of that, Rust. Did you see the episode with the biker gang? With that really long Children of Men shot? That was great.
Cohle: Further evidence that the show is an exercise in empty hyper-masculine stylistics masquerading as philosophical intrigue. Sure, that long shot looked “cool.” It was supposed to look “cool.” You ever seen a peacock strut its stuff in front of the chickens? That looks pretty “cool” too. But the biggest failing of True Detective is that it falls squarely into the tradition of the drama that everyone was complaining about last year. Tough guys, moody conversations, lots of shadows. We all hated Low Winter Sun, but it turns out we hated it because it wasn’t pretentious enough.
Hart: I sort of thought that talk a couple weeks back was interesting. How time is a flat circle? Squash! And it kinda makes sense for the show. Like, it keeps on circling through time — flashbacks, present day, flashbacks to a different time, long conversations inside the flashbacks about stuff that happened to the characters that we never get to see. It’s sorta like Watchmen, if you think about it.
Cohle: You’ve read Watchmen?
Hart: Yes. No.
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Cohle: Sure, sort of like how my acid-flashback visions were supposed to be really important until they weren’t ever brought up again. You ask me, True Detective is all holes in theories. Right now there’s two more episodes, and people are having a merry old time trying to solve the “mystery.” Who is the killer? Who is the Yellow King? Is it one of us? Is it the spooky Reverend? Is it Sideburns Eli Thompson? Is it everybody? Are we gonna stumble into some extradimensional quorum of Elder Gods? A’course, nobody’s pointing out that every possible answer will be disappointing, ’cause we’ll either feel like we got tricked or that it was too obvious. It’ll be just like Lost all over again.
Hart: I think you just can’t groove onto this pretty fun show, and you’re making a big deal about it for no reason. Sure, it’s not perfect. But it’s a whole new kinda thing: A whole miniseries made by the same people, starring big-time actors, that takes a simple concept and throws in the kitchen sink, and some stuff works and some stuff doesn’t. And even though it’s just a short series, it’s already inspired all kindsa things online — the kinda stuff that used to take a show years. It’s funny, it’s dark, it’s less boring than The Walking Dead, it’s less full of itself than House of Cards. I guess I just don’t see a problem here.
Cohle: People love mysteries, but only when they think the answer is important. You mark my words: After the finale, you’ll be talkin’ about how disappointed you are, and I’ll be sittin’ over here, disappointed in you once again. Disappointed in how easy it is for people to get pulled in by fancy talk and pretty faces and moody dudes looking for dead women. It’s a story that’s been told before, that’ll be told again. You could say that, right now, we’re all watching True Detective for the first time, which means that right now, we’re also all realizing just how empty True Detective truly is. It’s all just emptiness, all the way down, one spinning vortex of anti-meaning. The point is, people should just watch Terriers.
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the internet delivers (again)
http://youtu.be/oc6yyBvLpCc
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for the record, Terriers was awesome.
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The way he answered the cops stood up after they left didnt give me the impression that he was a dullard.